Ariadne auf Naxos: Difference between revisions

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Ariadne is shown abandoned by Theseus on the island of Naxos, bewailing her fate, as she mourns her lost love and longs for death. At this point Zerbinetta and her four companions from the burlesque group appear. They attempt to cheer Ariadne, but without success. In a sustained and dazzling piece of coloratura singing Zerbinetta insists that the simplest way to get over a broken heart is to find another man. In a comic interlude, each of the clowns pursues Zerbinetta.
Ariadne is shown abandoned by Theseus on the island of Naxos, bewailing her fate, as she mourns her lost love and longs for death. At this point Zerbinetta and her four companions from the burlesque group appear. They attempt to cheer Ariadne, but without success. In a sustained and dazzling piece of coloratura singing Zerbinetta insists that the simplest way to get over a broken heart is to find another man. In a comic interlude, each of the clowns pursues Zerbinetta.
The three nymphs, Naiad, Dryad and Echo then announce the arrival of a stranger on the island. At first Ariadne thinks he is the messenger of death; but in fact it is the god Bacchus. He falls instantly in love with Ariadne and promises to set her in the heavens as a constellation. Zerbinetta returns briefly to repeat her philosophy of love; then the opera ends with the passionate singing of Ariadne and Bacchus.
The three nymphs, Naiad, Dryad and Echo then announce the arrival of a stranger on the island. At first Ariadne thinks he is the messenger of death; but in fact it is the god Bacchus. He falls instantly in love with Ariadne and promises to set her in the heavens as a constellation. Zerbinetta returns briefly to repeat her philosophy of love; then the opera ends with the passionate singing of Ariadne and Bacchus.


==Creative Team==
==Creative Team==

Revision as of 19:16, 24 March 2009


Production Photographs

Coming Soon

Synopsis

Ariadne auf Naxos is in two parts, called the Prologue and the Opera. The first part shows the backstage circumstances leading up to the second part, which is in fact an opera within an opera.

The Prologue

At the home of 'the richest man in Vienna,' preparations for a party are under way. Two groups of musicians have arrived; one is a burlesque group, led by the saucy comedienne Zerbinetta, the other an opera company, who will present a serious opera, Ariadne auf Naxos. The preparations are thrown into confusion when the Major-domo announces that both performances must take place at the same time. At first, the impetuous young Composer refuses to discuss any changes to his opera. But when his teacher, the Music Master, counsels him to be prudent—and when Zerbinetta turns the full force of her charm on him—he drops his objections. But when he realizes what he has assented to, he is once again plunged into despair, and storms out.

The Opera

Ariadne is shown abandoned by Theseus on the island of Naxos, bewailing her fate, as she mourns her lost love and longs for death. At this point Zerbinetta and her four companions from the burlesque group appear. They attempt to cheer Ariadne, but without success. In a sustained and dazzling piece of coloratura singing Zerbinetta insists that the simplest way to get over a broken heart is to find another man. In a comic interlude, each of the clowns pursues Zerbinetta. The three nymphs, Naiad, Dryad and Echo then announce the arrival of a stranger on the island. At first Ariadne thinks he is the messenger of death; but in fact it is the god Bacchus. He falls instantly in love with Ariadne and promises to set her in the heavens as a constellation. Zerbinetta returns briefly to repeat her philosophy of love; then the opera ends with the passionate singing of Ariadne and Bacchus.

Creative Team

Director: Ashley Dean

Conductor: Timothy Dean

Designer: Cordelia Chisholm

Lighting Design: Johanna Town

Cast

Ariadne: Fiona Scott*/Margret Einarsdottir**

Bacchus: Bjartmar Sigurdsson

Zerbinetta: Clare Tucker*/Sung-Eun Seo**

Composer: Elysia Leech*/Bohae Kim**

Music Master: Benjamin Weaver

Harlequin: Richard Latham

Brighella: John Pumphrey

Scaramuccio: Warren Gillespie

Truffaldino: Donald Thomson

Echo: Miranda Sinani

Niaid: Marie-Claire Breen

Dryad: Maria Brown

Dancing Master: Reuben Lai

Wig Maker: Owain Browne

Footman: Stephen Fennelly

Officer: Steven Phillips

Haushoffmeister: Tyriggvi Gunnarsson

Servants: Claire Thompson, Monica McGhee, Jonathon Cooke, Revere Taylor

  • Performing 23rd and 26th March
    • Performing 21st and 25th March

Production Team

Stage Manager: Michael Offland

Deputy Stage Manager: Hannah Fisher

Assistant Stage Managers: Martin Aitken, Catherine Lewis

Technical Stage Manager: Alix Ross

Stage Technicians: Richard Evans, Ali Head, Emily Lennox, Barry McDonald, Craig Ralph, Thomas Velluet-Draper

Production Electrician: Christine Scott

Lighting Operator: Lauren McKay

Follow Spot Operator: Jonny Reed

Stage Electricians: Madeleine Hillman, Laura Jarvis, Emma Whoriskey

Carpenters: Simon Cook, Kris Whitehead

Assistant Carpenters: Frazer Fyfe, Jenny Gamble, Ali Head, Nial MacGillivray, Lauren MacKay, Ashley Thomas, Emilie Velluet-Draper

Prop Makers: Frazer Fyfe, Astrella Oldham, Jennifer Walker

Assistant Prop Makers: Samantha Allen, Tom Cullens, Joanne Ferrie, Olivia Hale, Karen Hall, Scott McIntosh

Assistant Scenic Artists: Rhonda Barclay, Ashleigh Blair, Tom Cullens, Matt Edmond, Joanne Ferrie, Jenny Gamble, Marthe Hoffman, Kristine Comaish, Ayden Millar, Lesley Neilson, Christine Orr, Iain Waught

Costume Makers: Jane Gordon, Susan Kirkwood

Costume Assistants: Samantha Allen, Luisa Cocozza, Alexander Coll, Olivia Hale, Karen Hall, Holly Hodgart, Katrina Kelly, Emma McBride, Avril Scott

Make Up: Fiona Downie*, Jenna Lyons*

  • Students of the Clydebank College Hairdressing & Beauty course.

Orchestra

Coming Soon

Thanks To

Coming Soon