Legally Blonde: Difference between revisions
Line 112: | Line 112: | ||
<u>Flown</u> | <u>Flown</u> | ||
*Shower Curtain (bar 5) | |||
*Mannequins (bar 6) | |||
*Hair Affair Practical's (bar 7) | |||
*Prison Bars (bar 8) | |||
*Hair Affair (bar 13) | |||
*Festoons (act1) / Mannequins (act2)(bar 14) | |||
*Blackboards (bar 15) | |||
*UCLA (bar 18) | |||
*Elle's Door (bar 21) | |||
*Harvard (bar 22) | |||
*Department Store H+H (bar 23) | |||
===Portals=== | ===Portals=== |
Revision as of 10:52, 7 April 2014
Creative | |
---|---|
Director | Andrew Panton |
Musical Director | Simon Beck |
Choreographer | Chris Stuart-Wilson |
Set and Costume Designer | Becky Minto |
Lighting Designer | Simon Wilkinson |
Production Team | |
Stage Manager | Rosie Barber |
Deputy Stage Manager | Ashley Kerray |
Technical Stage Manager | Andrew McCabe |
Chief Production Electrician | Elleanor Taylor |
Deputy Production Electrician/Lighting Programmer and Operator | Patrick Watson |
Stage Electricians | Hannah Allan Astrid Rothmeier Riona Gilliland |
Sound Number 1 | Sam Cunningham |
Sound Number 2 | Stephen Cunningham |
Stats | |
Venue | New Athenaeum Theatre |
The international award-winning hit Legally Blonde the musical is coming to the Royal Conservatoire of Scotland after three triumphant years in the West End. Elle Woods can handle anything. So when her boyfriend, Warner, dumps her she decides to follow him to Harvard Law School and win him back. With some help from new-found friends Paulette, Emmett and her chihuahua Bruiser, she learns that it’s so much better to be smart.
Cast List
Elle Woods - Molly Dobbs/Alex Roots
Serena - Molly Dobbs/Alex Roots
Paulette - Laura Denmar
Vivienne - Nina Sneve
Brooke - Zoe Barker
Enid - Lucie Thaxter
Margot - Sophie Falkenberry
Pilar - Eve Nicker
Emmett - Tom Cotran
Callahan - Laurence Libor
Warner - Brian McEwan
Dewey/Grandmaster Chad - Joel Benedict
Elle's Dad/Winthrop/Ensemble - Greig Baxter
Padamadam/Nicos/Ensemble - Drew Gardner
Ensemble - Christina Gordon
Ensemble - Rebecca Dawson Smith
Elle's Mum/Judge/Ensemble - Ashlee Rose Soldo
Whitney/Chutney/Ensemble - Natalie Spence
Pforzheimer/Kyle/Ensemble - Thomas Milligan
Carlos/Ensemble - Miguel Garcia
Ensemble - James Baxter
TSM
Groundplan
Set Elements
Flown
- Shower Curtain (bar 5)
- Mannequins (bar 6)
- Hair Affair Practical's (bar 7)
- Prison Bars (bar 8)
- Hair Affair (bar 13)
- Festoons (act1) / Mannequins (act2)(bar 14)
- Blackboards (bar 15)
- UCLA (bar 18)
- Elle's Door (bar 21)
- Harvard (bar 22)
- Department Store H+H (bar 23)
Portals
A main part of the design was six large glittery portals that also lit up. These had been used twice before for previous shows in outside venues and were not in great condition. We had to do quite a lot of work to them during the fit up to make them look straight.
Floor
The floor also had been recycled from previous shows. It consisted of simple MDF sheets which we painted black. It was then coated in 3 layers of high gloss glaze to give a very deep black mirrored effect. It was really important that we kept the floor clean and shiny.
Floor Care
To keep the floor clean and shiny I bought some simple bath towels from Primark and we used these to wash the stage. To do this, simply wet the towel with hot water, wrap it round a brush and push it in straight lines across the stage. Once done, rinse the towel and leave it to dry. This is a highly effective and very quick way to clean the floor and it also does not leave big water marks like traditional mops tend to do! We had to mop the stage at least once a day during tech work periods and then once before the show and again at the interval. I would highly recommend using towels to mop any stage.
NOTE - You will also want to sweep/vacuum the stage before using wet towels to get the best results.
Platform
Masking
General Notes
Temperature- Musical Theatre need the venue to be worm in order to work! Speak to the venue techs in advance to see about putting additional heaters in the wings to keep the cast warm when not on stage.
Noise- Dance shoes make a lot of noise in the wings and performers don't have time to think about how loud there quick change will be. Try and situate quick change areas away from the stage or in the void to try and mask noise. If appropriate put carpet down in high traffic areas of the wings to help dampen the sound.
Tidiness- Always leave the venue, room1 and scene dock as tidy as it can be, these big shows move quickly and you don't want to be chasing your tail tidying up when you are pushed for time.
LX
Lighting Plan
Lighting Booms
The booms for this show were on 6m length scaff poles. These were then attached to the grid, as well as the base being screwed into the floor.
Equipment List
Gel Call
Practical's Explained
Running Lists