Sunday in the Park with George: Difference between revisions
No edit summary |
No edit summary |
||
Line 24: | Line 24: | ||
|align="center" colspan="2"|'''Musical Director''' <div style="text-align: centre;"> David Higham </div> | |align="center" colspan="2"|'''Musical Director''' <div style="text-align: centre;"> David Higham </div> | ||
|- | |- | ||
|align="center" colspan="2"|'''Set Designer''' <div style="text-align: centre;"> | |align="center" colspan="2"|'''Set Designer''' <div style="text-align: centre;"> Ruth Darling </div> | ||
|- | |- | ||
|align="center" colspan="2"|'''Costume Designer''' <div style="text-align: centre;"> | |align="center" colspan="2"|'''Costume Designer''' <div style="text-align: centre;"> Jack Sheehan </div> | ||
|- | |- | ||
|align="center" colspan="2"|'''Lighting Designer''' <div style="text-align: centre;"> [[Dylan Hodgson]] </div> | |align="center" colspan="2"|'''Lighting Designer''' <div style="text-align: centre;"> [[Dylan Hodgson]] </div> | ||
Line 63: | Line 63: | ||
|} | |} | ||
= | =Overview= | ||
= | =Stage Management= | ||
= | =Technical Stage Department= | ||
= | =Electrics= | ||
The SITPWG lighting rig consisted of a mixture of lighting units. There was a lot of generic fixtures as well as the RCS's MAC Encores, 16x ROBE Spiikies hired from Black-Light and 2x MAC Encore WRMs, kindly donated to us for the production from BlueParrot. | The SITPWG lighting rig consisted of a mixture of lighting units. There was a lot of generic fixtures as well as the RCS's MAC Encores, 16x ROBE Spiikies hired from Black-Light and 2x MAC Encore WRMs, kindly donated to us for the production from BlueParrot. |
Revision as of 13:13, 5 April 2019
Sunday in the Park with George | |
---|---|
Summary | |
Performance Dates 16th - 22nd March 2019
| |
Location New Athenaeum Theatre
| |
Creative Team | |
Director Dougie Irvine
| |
Movement Director Rachel Drazek
| |
Musical Director David Higham
| |
Set Designer Ruth Darling
| |
Costume Designer Jack Sheehan
| |
Lighting Designer | |
Sound Designer | |
Production Team | |
Production Manager Lynfryn Mackenzie
| |
Assistant Production Manager | |
Stage Manager | |
Deputy Stage Manager | |
Assistant Stage Managers | |
Production Electrician | |
Lighting and Video Programmer | |
Assistant Production Electricians | |
Sound No. 1 | |
Production Sound Engineer | |
Sound No. 3 | |
Stage Supervisor | |
Head of Automation and Flys | |
Assistant Stage Supervisors |
Overview
Stage Management
Technical Stage Department
Electrics
The SITPWG lighting rig consisted of a mixture of lighting units. There was a lot of generic fixtures as well as the RCS's MAC Encores, 16x ROBE Spiikies hired from Black-Light and 2x MAC Encore WRMs, kindly donated to us for the production from BlueParrot.
There were no practicals on this production, so the electrics team focused mainly on the preparation of the large lighting rig in the run up to the get-in.
The PLX created a loom sheet so that the get-in was quick and smooth. File:SITPWGLXLooms.docx
The show had a pyrotechnic effect in act 2. This was to simulate an electrical fault with a piece of the set. We used a large robotic on this, and ran a 50m cable to prompt-side flys and then down to the prompt desk. It was controlled by the in-house Le Maitre 2-way firing device and operated only by the PLX. As the set landed within proximity of the performers after detonation, a safe system of work was implemented in the event of a non-fire or mis-fire. File:PyroProcedure.docx File:RA Large Robotic.docx
Sound
Show Quotes
Input & Output List
Cast Information