Sunday in the Park with George: Difference between revisions
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The show had a pyrotechnic effect in act 2. This was to simulate an electrical fault with a piece of the set. We used a large robotic on this, and ran a 50m cable to prompt-side flys and then down to the prompt desk. It was controlled by the in-house Le Maitre 2-way firing device and operated only by the PLX. As the set landed within proximity of the performers after detonation, a safe system of work was implemented in the event of a non-fire or mis-fire. | The show had a pyrotechnic effect in act 2. This was to simulate an electrical fault with a piece of the set. We used a large robotic on this, and ran a 50m cable to prompt-side flys and then down to the prompt desk. It was controlled by the in-house Le Maitre 2-way firing device and operated only by the PLX. As the set landed within proximity of the performers after detonation, a safe system of work was implemented in the event of a non-fire or mis-fire. | ||
[[File: PyroProcedure.docx]] [[File: RA_Large_Robotic.docx]] | [[File: PyroProcedure.docx]] [[File: RA_Large_Robotic.docx]] | ||
[[File:S5.jpg|300px]] | |||
[[File:S2.jpg|300px]] | |||
[[File:S4.jpg|300px]] | |||
<pdf>SITPWGLXV4.pdf</pdf> | <pdf>SITPWGLXV4.pdf</pdf> | ||
Revision as of 19:08, 4 April 2019
| Sunday in the Park with George | |
|---|---|
| Summary | |
| Dates | |
| Performance Course Third Year BA Musical Theatre
| |
| Location New Atheneum Theatre
| |
| Creative Team | |
| Director Douglas Irvine
| |
| Associate Director/Choreographer ??
| |
| Designer Ruth Darling
| |
| Musical Director David Higham
| |
| Sound Designer | |
| Lighting Designer | |
| Production Team | |
| Stage Manager | |
| Deputy Stage Manager | |
| Assistant Stage Manager | |
| Assistant Stage Manager | |
| Assistant Stage Manager | |
| Technical Stage Supervisor | |
| Head of Flys | |
| Assistant Technical Stage Manager | |
| Assistant Technical Stage Manager | |
| Assistant Technical Stage Manager | |
| Production Electrician | |
| Lighting & Video Programmer | |
| Lighting Crew | |
| Lighting Crew | |
| Lighting Crew | |
| Sound No.1 | |
| Production Sound Technician | |
| Sound No.2 | |
| Sound No.3 | |
| Sound No.3 | |
Team
Overview
Cast
Stage Management
Technical Stage Management
Lighting
The SITPWG lighting rig consisted of a mixture of lighting units. There was a lot of generic fixtures as well as the RCS's MAC Encores, 16x ROBE Spiikies hired from Black-Light and 2x MAC Encore WRMs, kindly donated to us for the production from BlueParrot.
There were no practicals on this production, so the electrics team focused mainly on the preparation of the large lighting rig in the run up to the get-in.
The PLX created a loom sheet so that the get-in was quick and smooth. File:SITPWGLXLooms.docx
The show had a pyrotechnic effect in act 2. This was to simulate an electrical fault with a piece of the set. We used a large robotic on this, and ran a 50m cable to prompt-side flys and then down to the prompt desk. It was controlled by the in-house Le Maitre 2-way firing device and operated only by the PLX. As the set landed within proximity of the performers after detonation, a safe system of work was implemented in the event of a non-fire or mis-fire. File:PyroProcedure.docx File:RA Large Robotic.docx
Sound
Show Quotes
Input & Output List
Cast Information