Pool of Bethesda: Difference between revisions
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The performance required a blood bag that could easily release blood. The actor held his head whilst squashing the blood bag allowing to to slowly trickle down his cheek. This method worked very well as the bag can be opened with minimal effort. | The performance required a blood bag that could easily release blood. The actor held his head whilst squashing the blood bag allowing to to slowly trickle down his cheek. This method worked very well as the bag can be opened with minimal effort. | ||
'''Paperwork''' | |||
DSM paperwork - [[Jessica Reid]] | |||
Below is the rehearsals settings list that was given to the ASMs for running the show | |||
<pdf>bethesdaSettings_list.pdf</pdf> | |||
Below is the Scene breakdown created to ensure the correct actors were called for the correct units | |||
<pdf>Scene_Breakdowns.pdf</pdf> | |||
Below is the music tracking sheet created to track the sound cues throughout the show and given to sound to create the Qlab file. | |||
<pdf>Music_tracking_V.3.pdf</pdf> | |||
==Lighting== | ==Lighting== | ||
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The Neonflex LED ring was made from 4m Cool White 24v Neonflex secured onto a box steel ring using clear cable ties and powered using a 2amp Traiac Dimmer 24v Driver. Now available to use on other shows as required. | The Neonflex LED ring was made from 4m Cool White 24v Neonflex secured onto a box steel ring using clear cable ties and powered using a 2amp Traiac Dimmer 24v Driver. Now available to use on other shows as required. | ||
==Stage Department== | |||
[[James Hamilton]] - Technical Stage Manager | |||
[[Joshua Brown]] - Deputy Technical Stage Manager | |||
[[Lewis Douglas]] - Assistant Technical Stage Manager | |||
'''Ground Plan''' | |||
<pdf>POB_Act_2.pdf</pdf> | |||
'''Check List''' | |||
<pdf>POB_Show_Checks_.pdf</pdf> | |||
'''Kabuki System''' | |||
The Act 1 Painted Canvas was dropped by a Magnetschultz Electro Kabuki system borrowed from NTS. | |||
<pdf>Kabuki_System_Diagram_.pdf</pdf> | |||
Latest revision as of 00:41, 12 June 2018
Stage Management
Slow release Blood Bags - Rosie Orford
Equipment
1. Cellophane
2. Fake Blood (any kind)
3. Plastic cup
4. Scissors
Method:
1. Place a large sheet of the cellophane over the top of the plastic cup.
2. Pour around 1tbsp of the blood mixture onto the centre cellophane on the cup.
3. Gather the edges of the cellophane and twist the top once to create a small blood bag.
4. Place the blood bag on a flat surface and flatten the twisted cellophane. Twist the cellophane again and flattery again.
5. Continue this process until the bag can hold the blood but does not have a strong seal at the top.
The performance required a blood bag that could easily release blood. The actor held his head whilst squashing the blood bag allowing to to slowly trickle down his cheek. This method worked very well as the bag can be opened with minimal effort.
Paperwork
DSM paperwork - Jessica Reid
Below is the rehearsals settings list that was given to the ASMs for running the show
Below is the Scene breakdown created to ensure the correct actors were called for the correct units
Below is the music tracking sheet created to track the sound cues throughout the show and given to sound to create the Qlab file.
Lighting
LX Plan - Jak Coventry
Neonflex LED Ring - Jak Coventry
The Neonflex LED ring was made from 4m Cool White 24v Neonflex secured onto a box steel ring using clear cable ties and powered using a 2amp Traiac Dimmer 24v Driver. Now available to use on other shows as required.
Stage Department
James Hamilton - Technical Stage Manager Joshua Brown - Deputy Technical Stage Manager Lewis Douglas - Assistant Technical Stage Manager
Ground Plan
Check List
Kabuki System The Act 1 Painted Canvas was dropped by a Magnetschultz Electro Kabuki system borrowed from NTS.