Inner Space 2014
| Inner Space 2014 | |
|---|---|
| |
| Inner Space 2014 - Between 2 Wings | |
| Performance Time | |
| Performance Date | Thursday 30 January 2014 |
| Performance Time | 6:30pm |
| Stats | |
| Venue | New Athenaeum |
| Creative Team | |
| Designer | Ryan Greenfield, Daniel Thompson |
| Lighting Designers | Ryan Greenfield, Alex Kilgour, Bradley Jones |
| Sound Designer | Hannah Allan |
| Content/Video Designer | Rory Boyd |
| Production Team | |
| PRODUCTION MANAGER | Ross Pringle |
| Stage Manager | Amy Donaldson |
| DSM | Astrid Rothmeier |
| ASM | Judy Stewart, Riona Gilliland, Kiri Newbery |
| TSM | Daniel Thompson |
| DTSM/Head Flys | Sean Quinn |
| DTSM | Samantha Wright, Rory Boyd, Alex Kilgour, Robert Gear |
| PLX | Stephen Cunningham |
| DPLX/Programmer | Neil Smith |
| DPLX | Laura Mason |
| Sound Operator | John McAdie |
| Production Arts | Alex Kilgour |
| PR/Marketing | Rory Boyd |
About
Inner Space 2014, otherwise known as Between 2 Wings, was a project done by first year PTM students in January 2014.
Design
Script
LX Design
LX PLAN
File:LX Plan - Circuited OH - 1 to 25 A0.pdf
BOOM PLAN
Electrics/Video
The LX rig was primary rigged on the Tuesday, but due to the extent and size of the rig, LX rigging and focussing continued well into Wednesday.
LX Rig
The electrics rig was fairly straightforward, the only complexity being the size of the rig. During rigging, the DMX line on LX 4 had to be swapped out as it failed to function. Also during the rig it was decided that the US Band boom with the S4 Pars and the onstage set up lighters were not necessary and were therefore cut.
Equipment
*This equipment list does not account for the booms and on stage floor package being cut*
Video Rig
Video on this show was an integral component. There were two main video areas, the main screen content and the onstage scores.
The onstage scores, were very simple in their operation. Two laptops sat backstage and the score boards were simply power points with 100 slides with numbers on them, allowing for up to 100 points (even though we only reached 17 in the show). The two laptops were operated by the Stage Management Team.
The Main screen content was slightly more complicated. The content was loaded not two laptops running [Resolume Arena].
We needed the contestants on stage to see what was on the main screen without turning around. The original idea was to use multiple VGA splitters and run the content from only one server with the other one being a backup. However, we could only source one VGA splitter from the AV stores. The solution was to run one server as the source for the main screen, and another as the source for the stage. These were then loaded with the same content and given the same Artnet control, meaning they were identical copies of each other.
TSM
Sound
Thanks
Thanks goes out to the following people for their continued help in this project: