Project 360
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| Creative & Production Teams | ||
|---|---|---|
| Production Manager / Head of Creative Team | Rory Boyd | |
| Head of Video Systems | Neil Smith | |
| Technical Manager / Lighting Programmer | Daniel Thompson | |
| Stage Manager | Sam Wright | |
| Sound Designer | Hannah Allan | |
| Onsite Technical Support | Fraser Walker / Fix8 Group | |
| Head Content and Graphic Designer | Rory Boyd | |
| Content Support | Hannah Smith Ben Hunter Fergus Thom Louise Dawson | |
| Equipment Hire from | Fix8 Group [NL Productions] [VER] | |
| Stats | ||
| Venue | AGOS Studio Theatre | |
Project 360 was a fully immersive, 360 degree cinema and performance venue, created for 1 week in the Royal Conservatoire of Scotland.
About
Measuring 10m in diameter, Project 360 consisted of a 30m long cyc, which was projected onto using 4 projectors. The screen wrapped around the audience, allowing the venue to change from hosting Shakespeare to musicals in an instant. The project was one of the most ambitious video projects ever undertaken in Scotland.
The 360 Theatre
The venue was designed to be as flexible as possible. Therefore, nothing was set and rigged permanently on the floor (e.g. seating and a stage) This allowed us to transform the space from a club to a traverse style performance in a matter of hours. Steel deck was used to create a stage, and conference style seating was used to form a raised platform. Dance floor was laid across the entire venue for multiple reasons, however mainly to prevent projector light bouncing from off the shiny wooden floor. It also made the space feel more unique.
Equipment
Video
Projection
A total of 4 projectors were used. These were made my Panasonic, and were 10k lumins each.
A fibre link was used to connect each projector back to the servers. Each was mounted on top of the truss, with the cyc being hung below.
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Control
LX
Lighting on Project 360 was very minimal. A lot of consideration for the screen had to be taken into account when lighting the space. Too much light and it could wash out the projection. It also had to be carefully focused as to not shine onto the cyc. Another consideration for the rig was that it had to be flexible. As we had 5 performances over 3 days, we would not have time to re-rig and focus for each performance, therefore a festival rig was assembled.
Due to having very short deadlines, our LD also focused, plotted and operated the shows. He focused and operated the LX from a laptop in the catwalks that was connected via Cat5 to the MA2. By doing this, the AV operator could plot video on the MA, and the LD could focus LX from a laptop using a network session from the same desk.
Lantern Stock
2 x 3m Fairy Light Curtain
Control
MA2onPC Laptop (Network Session)
1 x External Monitor
20m CAT5 Ethernet Cable (For focusing from catwalks)
Sound
Audio Kit
Control
Rigging
Circle
4 x 500KG Loadguard Chain Hoist
9.2m Diameter H30V Truss Circle (8 Segment)
4 x 0.5m H30V Straight Truss Section
4 x 0.25m H30V Straight Truss Section
Tunnel
A tunnel was created as part of the entrance to the venue. This was designed to be slightly claustrophobic, so once you entered the space if felt more imposing. It was around 7m long, and 3m tall, and was draped with blacks on the walls and roof. A string of rope lights were added to the walls to act as house lighting, but also added to the feel of the space as it played with your depth perception.
4 x Base Plate
4 x Multiway Corners
7m Truss Tunnel (Built from H30V)
2 x Half Tab
