Comedy of Errors 2020: Difference between revisions
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=== Master setting list === | === Master setting list === | ||
Due to the sheer amount of props in this show | Due to the sheer amount of props in this show, the majority of which needed to be set on stage at the top of the show, a detailed setting list became vital. We settled on supplementing the list with a visual guide for ease. <br> | ||
<pdf width="700" height="900">CoE-Master_setting_list.pdf</pdf> | <pdf width="700" height="900">CoE-Master_setting_list.pdf</pdf> | ||
Revision as of 22:11, 5 February 2020
| Comedy of Errors 2020 | |
|---|---|
| |
| Summary | |
| Dates 22nd - 25th January 2020
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| Performance Course 2nd year BA Acting
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| Location Chandler
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| Creative Team | |
| Director Andy MacGregor
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| Assistant Director John Whittle
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| Designer | |
| Sound Designer | |
| Lighting Designer | |
| Production Team | |
| Production Manager Ros Maddison
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| Assistant Production Manager | |
| Stage Manager | |
| Deputy Stage Manager | |
| Assistant Stage Managers | |
| Stage Supervisor | |
| Lighting Programmer and Operator | |
| Production Electrician | |
| Deputy Production Electrician | |
Summary
Shakespeare loved writing about twins. In fact he loved writing about them so much that in 'A Comedy of Errors' he didn't settle for one set of twins, he went for two. Because two is funnier than one. The mayhem he creates as Antipholus and Dromio of Syracuse get confused for Antipholus and Dromio of Ephesus is a perfect example of his mastery of comic writing.
Company
Lighting
Sound
Technical Stage Department
Noah Dates - Stage Supervisor
Erin Johnstone - Deputy Stage Supervisor
Stage Management
The stage management department consisted of Stage Manager Hannah Henderson, Deputy Stage Manager Zsanka Bollok and Assistant Stage Managers Lea Meloee, Kyle Jessiman and Ruby Noble.
Blackboard
As part of the design two blackboards were required. We got one from the props store but struggled to source a second one, hence our decision to build a second blackboard ourselves. As there was a low budget we were able to source the wood for free from construction and from the dock. The design replicated that of the blackboard from the props store.
Master setting list
Due to the sheer amount of props in this show, the majority of which needed to be set on stage at the top of the show, a detailed setting list became vital. We settled on supplementing the list with a visual guide for ease.