The Possibilities: Difference between revisions
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Latest revision as of 15:23, 30 September 2013
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This show is a series of 10 short plays written by Howard Barker, each play has is own story but they do all link together. Our performance of the show was performed by the Third Year actors at the Tron Theatre Glasgow in May/June 2013, at The King's Head Theatre, London, and at the National Theatre of Warsaw in June 2013
Stage Management
Final Props List
• 1 Fake Hand - Silicone
• 1 5m Length of Rope • 1 Pillow
• 2 Pillow cases
• 1 Small Wooden Hand Cart
• A Selection of Old Books
• 4/5 Dirty Cloths
• 1 Wooden Whistle
• 1 Roll of Tape – Gaffer Tape
• 2 Medium sized Hessian Sacks
• 5 Severed Prop Heads
• 1 Sand Coloured Bath Towel
• 1 Pair of Military/ Riding Boots
• 1 Shoe Polish Brush
• 1 Burgundy Length of Material
• 1 Rug
• 1 Wooden Loom
• 3 Skeins of Wool – Red/ Gold/ Sand colours
• 2 Wooden Buckets
• 1 Mop
• 1 Wooden Bowl
• 1 Tablespoon
• Cans of soup – to be assessed as performances commence
• 1 Free Standing Mirror
• 1 Square Table
• 1 Bench
• 3 Chairs
• 1 Wooden Clothes Rail
• 40 Wooden Clothes Hangers
• 5 Knives
• 2 Swords (only 1 used)
• 1 WWI rifle
Technical Stage Management
Groundplan
Technical Challenges
Wood Bark
One of the main elements of the set design was to have the floor covered in bark chippings. We investigated the option of having real bark chippings, but instead opted for a rubber chip due to issues surrounding pests and insects along with the cost of a floorcloth under the bark. Although this was a more expensive option, we didn't have to use pesticide, or flambar.
As rubber chip is actually recycled tyres that have been chopped up, it was essential to thoroughly risk assess the bark as it is a potential fire risk. Spontaneous heating of piled rubber crumb
Playbark rubber playground chippings
It was estimated that 750kg of bark would be needed to cover the entire floor area to a depth of around 40mm.
Unfortunately we eventually only used the bark around the edge of the set, as due to rehearsal room availability, we were unable to rehearse with the full quantity of bark.
Hessian
Director/designer wanted hessian around all 3 walls of the theatre. However, it was essential that we didn't block the audience's exit from the venue due to fire regulations. Therefore, it stopped at the setting line.
As the original concept was based around the idea of a 'tent', there were also 2 strips of hessian running US-DS, along the ceiling. This left very little room for any lanterns, and therefore we had to be mindful that although the hessian was NDFR (Non-Durably Fire Retardant), that it could still become dangerous if close enough to any lanterns.
It was important to check that none of the cast or crew were severely allergic to the hessian before rehearsals began.
Lighting
Lighting Plan
Gel List
Scene Plans
Unforeseen Consequences of a Patriotic Act
Kiss My Hands
The Philosophical Lieutenant and the Three Village Women
Only Some Can Take the Strain
Not Him
The Reasons for the Fall of Emperors
The Weaver's Ecstasy at the Discovery of New Colour
The Dumb Woman's Ecstasy
The Necessity for the Prostitution in Advanced Societies
She Sees the Argument But
Lighting Equipment
Lanterns
CCT Starlette Fresnel 1kW x15 Strand Quartet Fresnel 650W x5 Strand Prelude 16/30° 650W x4
Strand Prelude 28/40° 650W x2 Strand SL 23/50° x1 Source 4 Jr 25/50° 575W x10
Strand Nocturne Flood 1kW x2 CP62 Parcan 1kW x4 Par 50W GU10 Birdie x12
Gobos
Rosco #77163