Inter/section
| Inter/section | |
|---|---|
| File:Intersection.jpeg | |
| Summary | |
| Location Chandler Studio Theatre
| |
| Creative Team | |
| Director | |
| Lighting Designer | |
| Sound Supervisor | |
| Production Team | |
| Production Manager Jacqui Howard
| |
| Stage Manager | |
| Deputy Stage Manager | |
| Assistant Stage Manager | |
| Production Electrician Jon
| |
| Lighting Programmer | |
| Production Sound Engineer | |
| Head Of Stage | |
| Stage Technician | |
| Stage Technician | |
| Stage Technician | |
Overview
Design
Lighting
Sound Design
SFX Plans
This was the initial SFX plan formed following the first stages of tech, This would soon become more advanced as the production continued.
Speaker Plans
The speakers used on this show were;
- D&b C7s (Subs behind audience)
- KV2 EX 1.5 (Subs on catwalk)
- KV2 ESD 12 (PA L, PA R, PA C)
- KV2 EX 6 (Rear FX)
Mics
Practical Mic
This prop mic was fitted with a DPA 4060. This was attached to the stand section of the prop, with an additional foam section added to house the pack. This prop would then be taken onto stage by Emma Gray (3rd Faustus) and Molly Geddes (1st Faustus). They would sing into the mic, where reverb would be applied to these vocals.
Hairline Mics
Two of the actors Emma Gray (3rd Faustus) and Puvan Sanghera (2nd Faustus) were fitted with hairline Mics. These were DPA 4060s. These were used at tow different points in the show; The possession scene, where delay and reverb were applied. This was to give an otherworldly, unnatural element to the scene. The other point where it was used was the 'Ted Talk' style monologue, where slight reverb and a small amount of amplification was used, to make it seem as though Emma's character was speaking to a much larger room, as though part of a conference.