Gilgamesh

From paperclip
Revision as of 23:36, 12 December 2010 by Tvelluet-draper (talk | contribs)
Jump to navigation Jump to search
Gilgamesh
Gilgamesh Poster
Creative
Written by Anton Chekov
Director John Kazek
Stats
Venue New Athenaeum Theatre
Rehearsal Period 4 SEPT -15 OCT '10
Tech Week 18 OCT '10
Performance Dates 2 - 6 NOV '09

The Seagull is the first A3 performance for the 2009/10 season at the RSAMD, Normally there is an Alternate A3 production in the Chandler Studio Theatre, this has been moved later in the year and will be performed at the Citz.

This performance of Chekhov's The Seagull celebrates the 100th anniversary of the first English-translated performance of a Anton Chekhov play. the original translation was written by George Calderon was commissioned by The Scottish Repertory Company and the first performance on 2 November 1909.

The action takes place on Sorin’s estate.

Two years pass between Act Three and Act Four.

Flickr set by Fiona Nisbet Flickr set by RSAMD

Cast

Gilgamesh, a king Sam Spanjian

Enkidu, a wild man Robert Shaw

Shamhat, a harlot Tamara Donnelly

Hamman, Armourer, Councillor - Ben Allan

Guard, Ninsun, Lesbian Blacksmith, Humbaba and Doctor - Lynn Ferguson

Nedu, Transvestite, Councillor, Armourer, Priest and Anu - Andrew Marquardt

Harlot, Married Woman, Ishtar and Nurse - Emily Rees

Female Prisoner, Jester and Nurse - Rebecca Smith


Production Team

Stage Manager Laura Jarvis

Deputy Stage Manager Jamie Clelland

Assistant Stage Managers Ross Oliver, Samantha Burt

Technical Stage Manager Thomas Velluet-Draper

Production Technicians Iain Jolly , Simon Legg , Fiona Nisbet

Production Electrician Jonny Reed

Assistant Production Electrician Madeleine Hillmann

Electrics Crew Fraser Walker , Chris Gowling , Jonothan Towers

Technical Challenges

Gauze Tower

During the recent production of "Gilgamesh" there were few technical challenges that we had to overcome. The main challenge was to rig a gauze tower that hugged the set, could be rigged simply, had a sharp crease down the corner and could be flown live. We also had to come up with a way of rigging a bull so that it could be safely rigged, yet easily detached during the show by performers.


Reviews