Inter/section

Inter/section
Summary
Location Chandler Studio Theatre
Creative Team
Director Becky Hope Palmer
Set & Costume Designer Sophie Sholl
Lighting Designer Kai Fischer
Sound Designer Nommy Soplantila
Production Team
Production Manager Kevin Murray & Jacqui Howard
Stage Manager Lauren Murison
Deputy Stage Manager Anne Peart
Assistant Stage Manager Brad Hamilton
Production Electrician Dylan McLean
Lighting Programmer Viola Fowler
Production Sound Engineer Nathan Farndale
Head Of Stage Tom Sedgwick
Stage Technician Noah Dunnett
Stage Technician Rory Campbell
Stage Technician Toby Cass

Sound Design

SFX Plans

This was the initial SFX plan formed following the first stages of tech, This would soon become more advanced as the production continued.

Speaker Plans

The speakers used on this show were;

- D&b C7s (Subs behind audience)

- KV2 EX 1.5 (Subs on catwalk)

- KV2 ESD 12 (PA L, PA R, PA C)

- KV2 EX 6 (Rear FX)

Mics

Practical Mic

This prop mic was fitted with a DPA 4060. This was attached to the stand section of the prop, with an additional foam section added to house the pack. This prop would then be taken onto stage by Emma Gray (3rd Faustus) and Molly Geddes (1st Faustus). They would sing into the mic, where reverb would be applied to these vocals.

Hairline Mics

Two of the actors Emma Gray (3rd Faustus) and Puvan Sanghera (2nd Faustus) were fitted with hairline Mics. These were DPA 4060s. These were used at tow different points in the show; The possession scene, where delay and reverb were applied. This was to give an otherworldly, unnatural element to the scene. The other point where it was used was the 'Ted Talk' style monologue, where slight reverb and a small amount of amplification was used, to make it seem as though Emma's character was speaking to a much larger room, as though part of a conference.