Die lustigen Weiber von Windsor

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Die lustigen Weiber von Windsor
Die Lustigen Weiber von Windsor
Creative
Director Directors Nicolette Moner
Conducted by [[]]
Set Designer Cordelia Chisholm
Lighting Designer Roy Herd
Stats
Venue New Athenaeum
Performance Dates 11th May- 16th May 2013


Synopsis

Production Photographs

All images Ken Dundas, RCS.



Production&Creative Team

Director- Nicholette Moner

Production Manager - Sandy McRobbie

Set Designer - Cordelia Chisholm

Lighting Designer - Roy Herd


Stage Manager - Alice McKay

Deputy Stage Manager - Fiona Findlater

Assistant Stage Managers - Eve Kerr, Ross Jardine, Katy Nicolson, Siobhan Scott


Technical Stage Manager - Melissa MacDonald

Deputy TSM/Head flys - Andrew McCabe

Technical Crew - Stuart Lord, Sarah MacDonald, Chrissie Huxford and Robert Gear


Chief Production Electrician - Blair Omond

Deputy PLX and Lighting Operator - John Beggan

Electrics Crew - Kieran Fitzpatrick, Maciej Kopka


Technical Stage Management

Technical Challenges

Flown Walls

One of our main challenges on this opera was fitting in all of the flown elements. To begin with we rigged the flown walls as normal with turnbuckles, drifts ( 7000m) and flying irons- however, the flown walls were very top heavy as each flat had wooden cornicing along the front (weighing 14kg) this caused all of the walls flats to lean both in their IN and OUT positions.

After much debate new Open Ended drifts and wedge sockets were bought. Rather than hanging the flats from back with the irons in the US side, we hung them by drilling holes in the top of the flat and threading the drifts though the flat to the flying irons which were positioned inside the flat. This distributed the weight more evenly and made a significant difference.

Letter Lines

During the Windsor Forest scene, 100 letters were to fly in. For this we used a hemp bar, a CW bar and, as we had run out of space in the grid, we used x2 3000mm pieces of conduit. We joined them and taped over the join to strengthen it with tape- this fitted better than adding another hemp bar.

The letters were attached to the bars with lengths of 1mm braided cord ( available from Flints at £9.00/100m. ) this worked better than fishing line as the letters were simply empty handmade evelopes- the lack of weight would have made the fishing line curl up and look untidy. The cord had a matte quality to it that made it less obvious than fishing line- which could catch the light.

Individual Love Letter Lines

During Act 2 there were 3 lines which were to be flown in and a love letter attached to each- with not fiddling. At first we attached magnets to the lines and put penny washers in the envelopes. However, due to how little room there was between flown walls, the magnets continuously got stuck on the hardware on the way out.

To resolve this we put the magnets inside the letters and the washers on the lines. These lines were made from the same 1mm cord as the other letters.



Paperwork examples relating to this production for your reference


Fly Plot File:MWWFLY1.pdf

Groundplans at 1:200

File:GroundplansMWWSheet1.pdf

File:GroundplansMWWSheet2.pdf

File:GroundplansMWWSheet3.pdf


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Stage Management

Production Electrics

LX Equipment List

Lighting Control


1x Grand MA Full Size Console


Sound Control and Playback


1x Midas Pro 6 Console

1x Midas DL371 Brain

1x Midas DL215 Stage Box

6x d&b E3 Speakers - Stage Foldback (Paired - DS, MS and US)

3x d&b D6 Amplifiers

4x AKG SE300 Microphones


Lighting Kit


12x CCT Starlette 2K Fresnels

3x Bambino 5K Fresnels

2x Orion 4 Cell Groundrows

4x VL 1000 TSD Moving Fixtures

4x Par 64’s

2x Strand Prelude 16/30’s (Conductor Spots)

9x Coda 1K Floods

35x Selecon 1.2K Fresnels

8x Selecon 1.2K PC’s

20x Strand 15/32 Degree Profiles

15x Strand 23/50 Degree Profiles

8x Strand 26 Degree Profiles

5x Strand 19 Degree Profiles


Stage Kit


1x Conductor Camera


6x Visual Conductor Monitors

- 2x Auditorium (Fixed)

- Prompt Desk

- DSR (Fixed)

- USL (Trolley)

- USR (Trolley)


12x Cans Packs and Headsets

- LX Position

- Sound Position

- Stage Manager

- Deputy Stage Manager

- 4x Assistant Stage Managers

- 2x Fly Floor

- 2x Followspots


10x Cue Lights

- USL

- USR

- DSL

- DSR

- Pit

- 2x Fly Floor

- LX Position

- 2x Followspots

LX Colour Call

L118

7x Cuts of 1.2K Fresnel Size


L174

10x Cuts of SL Size

1x Cut of 1.2K Size

4x Cuts of Orion Groundrow Size

2x Cuts of Par 64 Size

1x Cut of 5K Size


L728

4x Cuts of 1.2K Fresnel Size


L363

12x Cuts of 2K Size

2x Cuts of 1.2K Size

4x Cuts of Orion Groundrow Size


L201

9x Cuts of SL Size

2x Cuts of 1.2K Size

5x Cuts of Coda 1K Flood Size


L202

4x Cuts of SL Size

9x Cuts of 1.2K Size


L017

2x Cuts of SL Size

2x Cuts of 1.2K Fresnel Size


L108

3x Cuts of 1.2K Size


L506

2x Cuts of SL Size

2x Cuts of 1.2K Fresnel Size


L159

4x Cuts of SL Size

2x Cuts of 1.2K Size

4x Cuts of Par 64 Size

2x Cuts of 5K Size


R119

32x Cuts of SL Size


Gel Order - Blacklight

L118 - 1x Full Sheet

L174 - 3x Full Sheets

L728 - 1x Full Sheet

L201 - 2x Full Sheets

L017 - 2x Full Sheets

L108 - 2x Full Sheets

L506 - 2x Full Sheets

L159 - 2x Full Sheets

L202 - 2x Full Sheets

L363 - 3x Full Sheets

R119 - 6x Full Sheets


Lighting Design