A Midsummer Nights Dream 2013 - opera: Difference between revisions
Ffindlater (talk | contribs) No edit summary |
|||
Line 50: | Line 50: | ||
*'''Stage Manager'''- | *'''Stage Manager'''- [[Fiona Findlater]] | ||
*'''Deputy Stage Manager'''- | *'''Deputy Stage Manager'''- | ||
*'''Assistant Stage Managers'''- [[Rosie Barber]], [[Ashley Kerray]] | *'''Assistant Stage Managers'''- [[Rosie Barber]], [[Ashley Kerray]] |
Revision as of 21:33, 5 February 2013
A Midsummer Nights Dream 2013 - opera | ||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
A Midsummer Nights Dream
|
Story
Now in its eighth year, our ambitious Winter collaboration with Scottish Opera continues with a celebration of the 100th anniversary of Benjamin Britten’s birth with a revival of Olivia Fuchs’ 2005 production for the Royal Opera House of A Midsummer Night’s Dream. Adapted from the Shakespeare play in collaboration with Peter Pears, Britten’s version is centred on the ethereal world of the fairies rather than the human action at the heart of the original.
Crew
- Production Manager-
- Stage Manager- Fiona Findlater
- Deputy Stage Manager-
- Assistant Stage Managers- Rosie Barber, Ashley Kerray
- Technical Stage Manager- John Beggan
- Deputy Technical Stage Manager/Flys- Jennifer Howes
- Deputy Technical Stage Manager/Automation - Andrew McCabe
- Assistant Technical Stage Managers -
- Chief Production Electrician- James Gow
- Deputy Production Electrician-
- Production Electricians-
- Lighting Programmer/Operator-
TSM
Pucks Rope
SAFE SYSTEMS OF WORK 5
TASK – Artist Rope into Position
HAZARDS – Rope, Stinger dropped from Height Rope to come loose during performance
EQUIPMENT REQUIRED – Fixed Truss Piece in grid 2 Wire Rope Stinger from grid Master link tied between 2 fly bars to stop swing Ratchet straps to tie off flybars
PROTECTIVE CLOTHING –Safety Shoes, Hard Hat
PROCEDURE-
1. Wire rope Stingers taken to grid 2. Fixed onto load tested position 3. Lowered in to plump position 4. Artist rope taken up on to grid shackled on to stingers 5. Master link attached to fly bars 6. Rope dropped in from grid and through master link 7. Flybars ratchet off to flyfloor 8. Rope Tried and tested
Chinese Pole
SAFE SYSTEMS OF WORK
TASK – Aerial Artist Pole Installation
HAZARDS – Pole/equipment falling from height
EQUIPMENT REQUIRED – Bracket arm required to secure in auditorium box position Boom plate/tank trap Scaff clamps Fixings for boom plate to deck
PROTECTIVE CLOTHING –Safety Shoes, Hard Hat
PROCEDURE 4 crew required 1.Bottom pole walked up with 2 crew with line on through pulley on scaff bar in auditorium box crew in box taking strain on rope line 2. Pole put into through deck hole and into boom plate and fixed into position 3.1 crew member in each box in auditorium as top Pole part is lifted up 4. Rope line dropped in from crew member in top box 5.Rope clove hitched and scaffolders knot onto Top pole 6. Guided up by grounds men as crew in boxes pull up with rope 7. Guided into positioned and top pole slotted into bottom pole
Automation
As part of the set up for A Midsummer Nights Dream a performer had to fly in what was called the 'bower box'. To achieve this effect we used a Stage Tech system similar to the one we use in the New Athenaeum Theatre. The system had been changed slightly and added to in order to fly a performer and to achieve the correct effect.
The system was made up of the following equipment;
- Illusonist Control Desk
- Au-Tour Rack
- UPS
- Big Tow Winch (modified with 2 points)
- Truss
- Various Drifts
- Swifter Lines (tention lines)
Because the winch only had 2 points coming from it, we attached them to truss and then attached the 4 bower points to the truss so that; A-all of the points coming off the bower were straight and B-We could lift the bower using the 2 lines on the winch and did not have to have an even more complicated system
Below is a diagram of how the system looked and how it was cabled up.