War and Peace: Difference between revisions

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Director - Irena Brown
Director - Irena Brown
Set & Costume Designer - Chloe Lamford
Set & Costume Designer - Chloe Lamford
LX Designer - Joanna Town
LX Designer - Joanna Town
Production Manager - Andrew Storer (RSAMD), Darren Joyce (Scottish Opera)
Production Manager - Andrew Storer (RSAMD), Darren Joyce (Scottish Opera)
Stage Management Mentor -  
Stage Management Mentor -  
Stage Manager - Emma Whoriskey
Stage Manager - Emma Whoriskey
Deputy Stage Manager - Kieron Johnson
Deputy Stage Manager - Kieron Johnson
Assistant Stage Managers -  
Assistant Stage Managers -  
Electrics Mentor - Stevie Powells
Electrics Mentor - Stevie Powells
Production Electricians - Puleng Mabuya, Michella Fee
Production Electricians - Puleng Mabuya, Michella Fee
LX Board Op. -  
LX Board Op. -  
LX Crew -  
LX Crew -  
Technical Stage Mentor - Ben Howell
Technical Stage Mentor - Ben Howell
Technical Stage Manager - Louise Marr
Technical Stage Manager - Louise Marr
Technical Stage Crew - Martin Aitken, Scott Bremner
Technical Stage Crew - Martin Aitken, Scott Bremner


== Scene Break Down ==
== Scene Break Down ==

Revision as of 16:28, 9 June 2010


The idea of reconstructing the original version of Prokofiev’s opera War and Peace resulted from the opportunities provided by Celtic-Cossack Connections: to collaborate in the performance of a work which neither of the two Conservatoires would be likely to tackle on their own, which needed the participation of native Russian singers, which would present a challenge, and which would make an international creative impact.

The opera has a long and tangled history: first conceived in the late 1930s, it was started in the months before the Second World War – which gave it contemporary relevance and political backing – and in its first form was completed in the spring of 1942. This initial version failed to find approval with the Soviet authorities, however, and the opera was subjected to continual revision in the eleven years until Prokofiev’s death in 1953. By this time it had grown to 13 scenes, lasting about four hours. It has been performed in many edited versions since then, but the original has remained amongst the composer’s manuscripts in Moscow.

No musical material has had to be invented for the reconstruction; the sections discarded in the revision process have been orchestrated, as far as possible in keeping with Prokofiev’s distinctive style. The outcome reveals a work much closer to the ideals of Tolstoy, with greater emphasis on the personal and intimate and less focus on the national and tableauesque.


Creative Team

Director - Irena Brown

Set & Costume Designer - Chloe Lamford

LX Designer - Joanna Town

Production Manager - Andrew Storer (RSAMD), Darren Joyce (Scottish Opera)

Stage Management Mentor -

Stage Manager - Emma Whoriskey

Deputy Stage Manager - Kieron Johnson

Assistant Stage Managers -

Electrics Mentor - Stevie Powells

Production Electricians - Puleng Mabuya, Michella Fee

LX Board Op. -

LX Crew -

Technical Stage Mentor - Ben Howell

Technical Stage Manager - Louise Marr

Technical Stage Crew - Martin Aitken, Scott Bremner

Scene Break Down

Scenic Elements

6 x Masking Pillars with Returns Slider Wall 6 x Sliders 1.2m Steel Deck Platform 1.2m x 15m x 1.2m Trucked Steel Deck Section Flown 1920's Projection Screen 8m Wooden Ramp Flown Wooden Structure Napoleons Tent 3 x 20 minute Snow Drop


Technical Solutions

6 x Masking Pillars with Returns



Slider Wall



6 x Sliders



1.2m Steel Deck Platform



1.2m x 15m x 1.2m Trucked Steel Deck Section



Flown 1920's Projection Screen



8m Wooden Ramp



Flown Wooden Structure



Napoleons Tent