Ledger Room Sound: Difference between revisions
No edit summary |
|||
Line 23: | Line 23: | ||
[[Image:o2r.jpg]] '''1 in Stock - Permanently Patched to Guinness Room System''' | [[Image:o2r.jpg]] '''1 in Stock - Permanently Patched to Guinness Room System''' | ||
<br> | |||
<br> | |||
Sonic Spec<br> | |||
• Linear 24-bit, 128-times oversampling A/D converters<br> | |||
• Linear 24-bit, 128-times oversampling D/A converters<br> | |||
• 20 Hz–40 kHz (0.5, –1.5 dB) frequency response at 96 kHz sampling rate<br> | |||
• 105 dB typical dynamic range (AD Input to Stereo Out) | |||
<br>• 56 Input Channels, with Direct Outs | |||
<br>• 8 Bus Outs, with to Stereo Out routing for subgrouping | |||
<br>• 8 Aux Sends | |||
<br>• Stereo Out | |||
<br>• Channels can be named for easy identification | |||
<br>• Channel library with 127 user memories | |||
<br>• 16 analog mic inputs on balanced XLRs (plus 48 V phantom) 24 analog line inputs on balanced | |||
phono jacks | |||
<br>• 16 analog inserts | |||
<br>• 32 inputs, 32 outputs via four mini-YGDAI slots and optional I/O cards, which offer a variety | |||
of analog and digital I/O options, with support for all the popular digital audio | |||
interconnect formats, including AES/EBU, ADAT, Tascam TDIF-1, and mLAN. | |||
<br>• 8 assignable Omni outputs | |||
<br>• 1 AES/EBU, 2 Coaxial 2-track digital input, with sampling rate converters for connecting | |||
44.1/48 kHz legacy digital audio equipment | |||
<br>• 1 AES/EBU, 2 Coaxial 2-track digital output | |||
<br>• 2 analog 2-track inputs | |||
<br>• XLR and phono connector stereo outputs | |||
<br>• Control room monitor outputs | |||
<br>• Dedicated studio monitor outputs | |||
<br>• Double channel digital I/O for use with legacy 44.1/48 kHz multitrack recorders | |||
<br>• Cascade ports for cascading up to four 02R96s (i.e., 224 Input Channels) | |||
<br>• 4-band parametric EQ on all Input and Output Channels | |||
<br>• EQ library with 40 presets, 160 user memories | |||
<br>• Horizontal and vertical pairing of Input Channels | |||
<br>• Horizontal pairing of Bus Outs, Aux Sends, and Surround Pan | |||
<br>• 4 internal effects processors | |||
<br>• Effects library with 52 presets, 76 user memories | |||
<br>• Multichannel effects for surround sound processing | |||
<br>• Gates on all 56 Input Channels | |||
<br>• Gate library with 4 presets, 124 user memories | |||
<br>• Compressors on all Input Channels and Out Channels (74 in total) |
Revision as of 10:29, 5 January 2010
Speakers
2 in Stock - Permanently rigged in Guinness Room
S-200 Datasheet
Full Range
Frequency response (-3dB) 80-18000Hz
Power Handeling: 300W cont. / 600W peak
Sensitivity (1w/1m) 100dB
HF Transducer: 1” driver
LF Transducer: EVM 12S 12”
Dimensions HxWxD: 61x38x22 cm
Weight: 16,3kg
Impedance: 8Ω
Input connections 2x Neutrik XLR3
Control
1 in Stock - Permanently Patched to Guinness Room System
Sonic Spec
• Linear 24-bit, 128-times oversampling A/D converters
• Linear 24-bit, 128-times oversampling D/A converters
• 20 Hz–40 kHz (0.5, –1.5 dB) frequency response at 96 kHz sampling rate
• 105 dB typical dynamic range (AD Input to Stereo Out)
• 56 Input Channels, with Direct Outs
• 8 Bus Outs, with to Stereo Out routing for subgrouping
• 8 Aux Sends
• Stereo Out
• Channels can be named for easy identification
• Channel library with 127 user memories
• 16 analog mic inputs on balanced XLRs (plus 48 V phantom) 24 analog line inputs on balanced
phono jacks
• 16 analog inserts
• 32 inputs, 32 outputs via four mini-YGDAI slots and optional I/O cards, which offer a variety
of analog and digital I/O options, with support for all the popular digital audio
interconnect formats, including AES/EBU, ADAT, Tascam TDIF-1, and mLAN.
• 8 assignable Omni outputs
• 1 AES/EBU, 2 Coaxial 2-track digital input, with sampling rate converters for connecting
44.1/48 kHz legacy digital audio equipment
• 1 AES/EBU, 2 Coaxial 2-track digital output
• 2 analog 2-track inputs
• XLR and phono connector stereo outputs
• Control room monitor outputs
• Dedicated studio monitor outputs
• Double channel digital I/O for use with legacy 44.1/48 kHz multitrack recorders
• Cascade ports for cascading up to four 02R96s (i.e., 224 Input Channels)
• 4-band parametric EQ on all Input and Output Channels
• EQ library with 40 presets, 160 user memories
• Horizontal and vertical pairing of Input Channels
• Horizontal pairing of Bus Outs, Aux Sends, and Surround Pan
• 4 internal effects processors
• Effects library with 52 presets, 76 user memories
• Multichannel effects for surround sound processing
• Gates on all 56 Input Channels
• Gate library with 4 presets, 124 user memories
• Compressors on all Input Channels and Out Channels (74 in total)