Dying For It: Difference between revisions
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=Set= | =Set= | ||
This was a challenging set to work on: it presented many technical difficulties and | This was a challenging set to work on: it presented many technical difficulties and challenges for all departments. | ||
'''Set Elements''' | |||
*The set was built on 4 levels: -3000mm - Below Stage, 0mm - Stage, +3000mm - 2nd Story Of Stage, +8000mm - Suspended Platform | |||
*Each of these levels were linked by a staircase: a L-shaped stair linked below stage and stage, a spiral stair linked the 1st and 2nd story of the stage and a straight, custom built, steel framed stair at 53 degrees linked the 2nd story to the suspended platform | |||
*Access to below stage was given by a permanently open L-shaped hole 1800mm in length (of both sides) | |||
*3 working doors which were slammed regularly and had to hold while shoes etc. were thrown at them | |||
*Live sound effects of running water were used on stage | |||
*A working window through which many cast entered and exited | |||
*The first 20mins of the play were done in complete blackout (this included the Fire Exit signs and the un-maintained lights) | |||
*The whole stage was covered in close to 100 lit real flame candles for 20mins of the 2nd half during a crowded party scene and which were extinguished in 30secs during a very quick scene change | |||
*2 actors regularly climbed and descended the back stairs linking the +8000mm suspended platform and the 2nd story of the stage | |||
=Technical Solutions= | =Technical Solutions= | ||
Revision as of 20:13, 21 September 2009
Production photographs
Flickrset by Christine Murphy
Flickr set RSAMD
Cast
Production Team
Adrian Osmond – Director
Lynfryn MacKenzie – Production Manager
Helen Allingham – Design
Laura McNiven – LX Design
Jennifer Walker – Sound Design
Jane Gordon – SM
Francesca Branch – DSM
Laura Jarvis – ASM
Emily Lennox – ASM
Barry MacDonald – ASM
David McMorris – ASM
Craig Ralph - ASM
Louise Marr - TSM
Martin Aitken – Crew
Scott Bremner – Crew
Madeleine Hillman – Crew
Laura McKay – Crew
Jonny Reed – Crew
Kevin Cullen - PLX
James Clelland – LX Crew
Jamie Fallen – LX Crew
Cathrine Lewis – LX Crew
Set
This was a challenging set to work on: it presented many technical difficulties and challenges for all departments.
Set Elements
- The set was built on 4 levels: -3000mm - Below Stage, 0mm - Stage, +3000mm - 2nd Story Of Stage, +8000mm - Suspended Platform
- Each of these levels were linked by a staircase: a L-shaped stair linked below stage and stage, a spiral stair linked the 1st and 2nd story of the stage and a straight, custom built, steel framed stair at 53 degrees linked the 2nd story to the suspended platform
- Access to below stage was given by a permanently open L-shaped hole 1800mm in length (of both sides)
- 3 working doors which were slammed regularly and had to hold while shoes etc. were thrown at them
- Live sound effects of running water were used on stage
- A working window through which many cast entered and exited
- The first 20mins of the play were done in complete blackout (this included the Fire Exit signs and the un-maintained lights)
- The whole stage was covered in close to 100 lit real flame candles for 20mins of the 2nd half during a crowded party scene and which were extinguished in 30secs during a very quick scene change
- 2 actors regularly climbed and descended the back stairs linking the +8000mm suspended platform and the 2nd story of the stage