Takin' Over The Asylum: Difference between revisions

From paperclip
Jump to navigation Jump to search
No edit summary
No edit summary
Line 28: Line 28:
! style="background-color:#000000; font-size: 120%;" align="center" colspan="2"| <span style="font-family: Tahoma"> <span style="color: #138256;">'''Production Team'''</span>
! style="background-color:#000000; font-size: 120%;" align="center" colspan="2"| <span style="font-family: Tahoma"> <span style="color: #138256;">'''Production Team'''</span>
|-
|-
|'''Stage Manager'''  <div style="text-align: centre;"> [[Caitlin Riddel]] </div>
|'''Stage Manager'''  <div style="text-align: centre;"> [[Caitlin Riddell]] </div>
|-
|-
|'''Deputy Stage Manager'''  <div style="text-align: centre;"> [[Thomas O'Hear]] </div>  
|'''Deputy Stage Manager'''  <div style="text-align: centre;"> [[Thomas O'Hear]] </div>  

Revision as of 10:12, 6 June 2022


Takin' Over The Asylum
[[ ]]
Summary
Dates
26th May 2022 - 28th May 2022
Performance Course
Third Year BA Acting
Location
Chandler Studio Theatre
Creative Team
Director
Designer
Sound Designer
Lighting Designer
Production Team
Stage Manager
Deputy Stage Manager
Assistant Stage Manager
Head of Stage
LX Programmer
PLX
Production Sound Engineer Sound No. 2




Overview

Stage Management

TSD

Lighting

Sound

This show made use of the amazing set, by going for as much naturalism as possible. This meant the sound design had to head in the direction of realism and this started with speaker placement. This was achieved with two KV2 EX6s in the far L and R as a main PA, to be used exclusively for transitions states. Three KV2 ESD12s in a L,C,R position just slightly behind the main PA, these were for very specific spot effects and positional ambiences. On top of this we had two KV2 subs on the Catwalks for transition music. We also had