Takin' Over The Asylum: Difference between revisions
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This show made use of the amazing set, by going for as much naturalism as possible. This meant the sound design had to head in the direction of realism and this started with speaker placement. This was achieved with two KV2 EX6s in the far L and R as a main PA, to be used exclusively for transitions states. Three KV2 ESD12s in a L,C,R position just slightly behind the main PA, these were for very specific spot effects and positional ambiences. On top of this we had two KV2 subs on the Catwalks for transition music. We also had | This show made use of the amazing set, by going for as much naturalism as possible. This meant the sound design had to head in the direction of realism and this started with speaker placement. This was achieved with two KV2 EX6s in the far L and R as a main PA, to be used exclusively for transitions states. Three KV2 ESD12s in a L,C,R position just slightly behind the main PA, these were for very specific spot effects and positional ambiences. On top of this we had two KV2 subs on the Catwalks for transition music. We also had | ||
[[File:WallSpeaker1.jpg]] | [[File:WallSpeaker1.jpg|200px]] | ||
[[File:WallSpeaker2.jpg]] | [[File:WallSpeaker2.jpg|200px]] | ||
[[File:TOTAQL5.jpg]] | [[File:TOTAQL5.jpg|200px]] | ||
Revision as of 10:41, 26 May 2022
| Takin' Over The Asylum | |
|---|---|
| [[ ]] | |
| Summary | |
| Dates 26th May 2022 - 28th May 2022
| |
| Performance Course Third Year BA Acting
| |
| Location Chandler Studio Theatre
| |
| Creative Team | |
| Director | |
| Designer | |
| Sound Designer | |
| Lighting Designer | |
| Production Team | |
| Stage Manager | |
| Deputy Stage Manager | |
| Assistant Stage Manager | |
| Head of Stage | |
| LX Programmer | |
| PLX | |
| Production Sound Engineer | Sound No. 2 |
Overview
Stage Management
TSD
Lighting
Sound
This show made use of the amazing set, by going for as much naturalism as possible. This meant the sound design had to head in the direction of realism and this started with speaker placement. This was achieved with two KV2 EX6s in the far L and R as a main PA, to be used exclusively for transitions states. Three KV2 ESD12s in a L,C,R position just slightly behind the main PA, these were for very specific spot effects and positional ambiences. On top of this we had two KV2 subs on the Catwalks for transition music. We also had
