CPP3 2022: Difference between revisions
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=Sound= | =Sound= | ||
Both shows had audience seated on three sides of the performance space. | |||
the system was made up of four KV2 EX6's and two EV subs | |||
Within Jane we used a wireless handheld mic and applied different effects to it to enhance the mood of the piece. | |||
within A Le Carte an MKE was used in the hairline position to capture mouth noises and create ASMR. although an ear hanger might have been a more elegant solution due to proximity we were unable to do this for fear of the mic getting covered in food. | |||
Revision as of 10:08, 9 March 2022
| CPP3 2022 | |
|---|---|
| |
| Summary | |
| Location RS2
| |
| Creative Team | |
| Director CPP3
| |
| Lighting Designer | |
| Sound Designer | |
| Production Team | |
| Production Manager Avalon Hernandez
| |
| Deputy Stage Manager | |
| Lighting Technicians | |
| Head of Stage | |
Overview
This years CPP3 shows consisted of two performances, Jane, a piece focusing on the themes of love and passion and A Le Carte a piece exploring themes of gluttony.
Stage Department
Stage Management
Sound
Both shows had audience seated on three sides of the performance space.
the system was made up of four KV2 EX6's and two EV subs
Within Jane we used a wireless handheld mic and applied different effects to it to enhance the mood of the piece.
within A Le Carte an MKE was used in the hairline position to capture mouth noises and create ASMR. although an ear hanger might have been a more elegant solution due to proximity we were unable to do this for fear of the mic getting covered in food.