Ballet Showcase 2018: Difference between revisions
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Two 12m soft legs were also flown just US of the second hard masker, as the fly floors on either side were clearly visible from the stalls. The onstage shackles on these hard maskers were also covered with offcuts of serge to prevent them catching light and drawing the eye. | Two 12m soft legs were also flown just US of the second hard masker, as the fly floors on either side were clearly visible from the stalls. The onstage shackles on these hard maskers were also covered with offcuts of serge to prevent them catching light and drawing the eye. | ||
Some of the equipment | Some of the equipment we had to prep are as follows | ||
Revision as of 20:31, 10 June 2018
BA Modern Ballet Graduation Showcase 2018 | |
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Production Information | |
Performance Dates Thursday 14th - Saturday 16th June 2018
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Venue New Athenaeum Theatre
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Production Team | |
Lighting Designer | |
Sound Designer | |
Production Manager | |
Stage Manager | |
Deputy Stage Manager | |
Assistant Stage Manager | |
Production Electrician | |
Deputy Production Electrician | |
GrandMA2 Programmer | |
Lighting Technicians | |
Technical Stage Manager | |
Deputy Technical Stage Manager / Head of Flys | |
Stage Technician |
Overview
Stage Management
Technical Stage Management
The set-up of the stage for this year's showcase did not differ greatly from that of years past. Four 1800 x 6000 hard maskers were hung on each side of the stage, with 1200 x 6000 returns on their offstage edge, supported by French bracing. The overhead rig consisted of three gauzes - DS (Bobinette), MS (Square), and US (Shark's Tooth) -, the House Drapes, a front black, a star cloth, and the BP screen. Due to the positioning of the LX booms just offstage, we had to take particular care with the conduit of each cloth - as giving the live flown pieces a full cloth's worth of conduit would have seen them crash into these lighting fixtures as they landed.
Two 12m soft legs were also flown just US of the second hard masker, as the fly floors on either side were clearly visible from the stalls. The onstage shackles on these hard maskers were also covered with offcuts of serge to prevent them catching light and drawing the eye.
Some of the equipment we had to prep are as follows
Flown Hard Masking
1800 x 6000 Hard Masking Flats 8
7000 Drifts 16
44m Hemp Lines 16
6000 French Braces 6
30m Hemp Lines 12
1 ton Shakles 24
Grounded Hard Masking
1400 x 6000 Hard Masking Flats 6
16000 x 8000 BP Screen 1
6000 French Braces 6
Star Cloth 1 Borrowed from Scottish Opera
Pin hinge w/ pin 24
4x20 Screws 144
110 meters of dance floor tape were used
10 meter of flame proof carpet was also purchased to lay in the wing cut to size and labelled SL/SR (please look after it)
You will also come to terms with working a washing machine during this allocation due to the towels we use to clean the floor on a regular basis
Attached is the ballet Ground plan to scale In pdf format File:Ballet 2018 Ground plan .pdf
We also had a 4 meter section of truss FOH using method of open basket rigging also in pdf format to scale File:Ballet 2018 FOH Truss .pdf
For more ballet specific information, please see entries on our House_Tabs and Dance_Floor