Twelfth Night 2018: Difference between revisions

From paperclip
Jump to navigation Jump to search
Jmcqueen (talk | contribs)
Jmcqueen (talk | contribs)
No edit summary
Line 42: Line 42:
|-
|-
|'''Sound Designer'''
|'''Sound Designer'''
|[[Callum Farrell]]
|[[Allan Hamilton]]





Revision as of 17:49, 6 February 2018


Twelfth Night
Production Twelfth Night
Performance Time
Performance Dates Friday 2nd February 2018 - Wednesday 7th February 2018
Stats
Venue Chandler
Creative Team
Director Andrew MacGregor
Fight Director Raymond Short
Designer Margaret MacInnes
Lighting Designer Amy Dawson
Sound Designer Allan Hamilton


Production Team
Production Manager Ros Maddison
Stage Manager Riona Gilliland
Deputy Stage Manager Poppy Apter
Production Electrician Jak Coventry
Deputy Production Electrician Adlai Faigen
Technical Stage Manager Daryl Campbell
Assistant Stage Managers James McQueen
Jessica Reid
Madeline Hanton
Jessica McKay
Sound Op Ross Brodie
Lighting Programmer Craig Stevenson

Overview

Stage Management

The designer had requested a large mirror ball hang centre stage in the rig, that - when it was not in use - should be flown up and disguised, so it would be a surprise to the audience. In order to achieve this, we considered how best to go about covering the fixture. A cloth draped over the ball which was just pulled away would mean that re-covering it - upon it flying out - would look messy, and were we to use a hoop with tat surrounding it, it would hang too low and pose a large obstruction to the rest of the LX rig. With this in mind, I set about constructing a box with a load supporting top bar, from which the pulley for the ball could be fitted.

This would have half couplers attached to its sides which, when attached to the catwalk-to-catwalk scaff bars in the venue, would mean the top point of the box would sit as high as the venue’s ceiling - this being the easiest way of getting a point that high. Once the box was constructed and skinned with tat, the ball was fitted inside, the motor attached to line, and diverted off to the SR gantry for control. With a couple of tweaks it worked perfectly, and allowed the mirror ball to be completely hidden when not in use - and still fly in and rotate when required to do so.

Technical Stage Management

Lighting

Sound

Photos