Macbeth 2017

Macbeth
Production	A2 Macbeth
Performance Time
Performance Dates	Wednesday January 18th 2017-Saturday January 21st 2017
Stats
Venue	Chandler Studio Theatre
Creative Team
Designer	Alisa Kalyanova
Lighting Designer	Paddy Hepplewhite
Sound Designer	Andrew Jackson
Production Team
Production Manager	Ros Maddison
	Stage Manager	Laurie Sutton
DSM	Kirstie Connel
TSM	Heather Mckennan
PLX	Amy Dawson
DPLX/AV	Euan Odd
LX Operator	Yesha Subotincic West

Lighting

File:LX Macbeth A0 .pdf

Rigging

The Macbeth rig took place over a day and a half. The first day we rigged all drop bars and the overhead.

The drop bars came in 2 kinds. One was a horizontal bar spanning the catwalks dropped by 700mm. These were meant to hold 2 lights in the middle of the cat walks. There were also 8 single drop bars where the lights needed to sit 3000mm off the ground. These we used a bar of scaff that was 2000mm to 2500mm and a doughty with a boom arm on the end. Before rigging these bars, I put the doughty and the boom arm on in roughly the right place so it was already sitting at the right level. The boom arms got put on 100mm in from one end and the doughty 1750mm from the boom arm. These measurements meant the boom arm was 3000mm from the deck. The bars were safetied by a drift going through the scaff bar and through the yoke of the lamp and then back up to the catwalks where they were wrapped around bars until the two end could just be joined by a shackle. This caused the rift to go round a very tight edge at the bottom of the scaff which was not ideal.

This rig was not great. What should have been done was use a longer scaff bar and use 2 fixed scaff clamps so that acts as a safety for the bar and being fixed they don’t swivel when a lamp is hung on the boom arm.

However my measurements were correct and the lamps were sitting at the right spots!

There were also 3 other bars that got rigged.

One was for 3 par cans outside the dock doors. The bar was approximately 3000mm long. There are channels attached to the ceiling there that allow spring clips to be attached to. Since there were no excess spring clips I stole the 2 middle clips from the bar behind the black that had been rigged outside the dock door too.

The bar was then rigged on the 2 spring clips and the parcans hung and plugged up to an alphapac.

There needed to be bars SL and SR for various specials. SL there were 2 birdies to highlight masks on the wall and SR there was a PC for backlight on the drum set.

Initially this was rigged with 3000mm aluminum bars using baby beam clamps attached to the c bars under the wings. The baby beam clamps went to a 1 ton shackle to a 1000mm climbing strop wrapped around the bar twice. After asking Malki to check it, and he pointing out that just a strop wrapped around a bar is not very secure. For what we were using it for it shouldn’t have been an issue but it’s just good practice to always rig it properly. Since we were short of equipment and each bar had to be at a slightly different height they were each re-rigged differently.

SL – This was swapped to 2 C beam to scaff clamps stolen from the grid. This held 2 birdies.

SR – This bar had to sit slightly lover as the working light fixture got in the war of using the C/Scaff clamps. I used the last 2 barrel clamps on the bar to a 1 ton shackle to a 300mm climbing strop doubled over to a 1 ton shackle to a baby beam clamp. This held 1 PC.