Burial At Thebes: Difference between revisions
Gashbridge (talk | contribs) Created page with "Category:Productions Category:Play {| style=" border: 4px solid #000000; background-color: #FFFFFF; float: right; clear: right; margin: 2px; width: 30em;" ! style="..." |
Gashbridge (talk | contribs) No edit summary |
||
| Line 40: | Line 40: | ||
|[[Ben Leach]] | |[[Ben Leach]] | ||
|- | |- | ||
|'''Deputy Stage Manager'' | |||
|[[Miranda Stewart]] | |||
|- | |||
|'''Production Manager Manager''' | |||
|[[Stephen Roe]] | |||
|- | |- | ||
|} | |} | ||
|} | |||
==Summary== | |||
==Stage Management== | |||
==Lighting== | |||
Lighting was designed by [[Benjamin Goodman]]. The Production Electrician was [[Gary Ashbridge]]. Board Operator (GrandMA1) [[Euan Odd]. LX Crew [[Stephen Keenan]] and [[Reece Flynn]] | |||
The design was of a small nature and consisted of approximately 60-70 fixtures. See plan below. | |||
There was 8 Fluorescent Tube light fittings. These were loaned from the Citizen Theatre via the Technical Manager - Stuart Jenkins. The units were standard fluorescent light houses with LED tape in plastic tubing to represent the fluorescent tube. These were on a 16-bit LED driver which mean we had very smooth dimming control of each unit. | |||
There was a 5Kw Fresnel on a tracking system designed in collaboration with the PLX and TSM. See TSM plans for a detailed description but the idea was to have the 5Kw lamp to represent time passing - the sun setting. This was behind gaps in the set which represented windows. The effect worked really well. | |||
Below is the Master Patch for the production. | |||
==Sound== | |||
==TSM== | |||
Revision as of 23:35, 16 November 2016
| Burial At Thebes | ||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| ||||||||||||||||||||||||||
Summary
Stage Management
Lighting
Lighting was designed by Benjamin Goodman. The Production Electrician was Gary Ashbridge. Board Operator (GrandMA1) [[Euan Odd]. LX Crew Stephen Keenan and Reece Flynn
The design was of a small nature and consisted of approximately 60-70 fixtures. See plan below.
There was 8 Fluorescent Tube light fittings. These were loaned from the Citizen Theatre via the Technical Manager - Stuart Jenkins. The units were standard fluorescent light houses with LED tape in plastic tubing to represent the fluorescent tube. These were on a 16-bit LED driver which mean we had very smooth dimming control of each unit.
There was a 5Kw Fresnel on a tracking system designed in collaboration with the PLX and TSM. See TSM plans for a detailed description but the idea was to have the 5Kw lamp to represent time passing - the sun setting. This was behind gaps in the set which represented windows. The effect worked really well.
Below is the Master Patch for the production.