New Athenaeum Theatre Sound: Difference between revisions

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'''DAW Hardware'''
'''DAW Hardware'''
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'''1 Focusrite Pro 40 in FOH rack'''
'''1 Focusrite Pro 40 in FOH rack[[File:Saffire-Pro-40.jpg|800px]]'''
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Saffire PRO 40 features a versatile 20 inputs and 20 outputs, including a complement of eight Focusrite mic preamps guaranteed to get the best out of any microphone, with minimal noise and distortion even at high gain. Two mic/line/instrument inputs are accessed via the front panel, which also provides two independent headphone monitor outputs.
 
This interface is best used with Safire Mix Control which can be downloaded [http://global.focusrite.com/firewire-audio-interfaces/saffire-pro-40/downloads here.]
 
It is also important to note that due to the product interfacing via the Firewire 40 protocol, your playback machine must have either a firewire port or an adaptor.
 
It is also imperative that both the interface and the playback computer be fully switched off before connecting or disconnecting, as 'Hot-plugging' can cause irreversible damage to both the interface and the playback computer.
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Revision as of 15:43, 7 July 2015

There is a world-class sound system in the Ath. This is made op of D&b Audiotechnik Amps and Speakers and a Midas Pro Series Console. The system is mostly hard-wired and does not move from its set position. There is the potential for up to 10 monitor mixes to stage and the orchestra pit on the house system.

Main House Rig

D&b E12

2 Main stalls speakers, one positioned in landscape aspect either side of stage

Powered by 1 D&b D6 Amplifier.
Sends 1 & 2 on XLR Patchbay.

E12 Manual
The E-Series




D&b E8

4 Upper floors speakers, one positioned at either side of Proscenium in portrait aspect

Powered by 2 D&b D6 Amplifiers.
Sends 3 & 4 on XLR Patchbay.

E8 Manual
The E-Series



D&b Qi7

2 Lower section Centre-fill Mid-Tops placed in landscape aspect in Centre Cluster

Powered by 1 D&b D6 Amplifier.
Send 5 on XLR Patchbay.

Qi7 Manual
The Q-Series




D&b Qi-SUB/QiCSA-SUB

3 Upper section Centre-fill Subs in Cardioid Arrangement in Centre Cluster

Powered by 1 D&b D12 Amplifier.
Send 6 on XLR Patchbay.

Qi-SUB/QiCSA-SUB Manual
The Q-Series
TI 330 - Cardioid Sub Woofer Arrangement




D&b E0

4 Black Front Fills and 12 White Delay speakers spread over all floors on two seperate rings

Powered by 3 D&b D6 Amplifiers.
Sends 7, 8 & 9 on XLR Patchbay.

E0 Manual
The E-Series



Foldback

D&b E3

6 In stock - 2 with horizontal flying brackets, 4 with vertical flying brackets

E3 Manual
The E-Series



Additional Speakers

JBL Control 226C/T

18 permanently installed in the auditorium
JBL 200 series Technical Specifications
Powered by 1 Clyde CX-A6
Sends 19, 20 on XLR Patchbay.

Amplification

D&b D6

10 in Main control room amp rack, 2 in portable rack with Midas Stage box

D6 Hardware Manual
D6 Software Manual

D&b D12

1 in Main control room amp rack

D12 Hardware Manual
D12 Software Manual

Crown K2

1 in Main control room amp rack
K2 Operations Manual

Cloud CX-A6

1 in Main control room amp rack
Cloud CX-A6 Technical Specifications

Control

Midas PRO6


Midas Pro 6 Overview

Midas DL371
1 DL371 in the FOH rack.
DL371 Overview

Klark Teknik DN9331 Helix Rapide
1 in stock
DN9331 Overview

Audio System I/O

Midas DL251
2 DL251s, 1 in the FOH rack, 1 in the Portable Amp rack.
DL215 Overview

Monitoring

Fostex 6301B
2 Fostex 6301B permanently installed in the control room
Fostex 6301B Overview

Playback/Recording



CD Playback/Recording

Fostex CR500 1 in stcok.
Fostex CR500 Owner's Manual
Left + right, +4DBu line level inputs on 3 pin XLRF,
left + right, +4dBu line level outputs on 3 pin XLRM.

MD
1 in stcok.
Tascam MD Owner's Manual
Left + right, +4dBu line level inputs on 3 pin XLRF,
left + right, +4dBu line level outputs on 3 pin XLRM.

DAW Hardware
1 Focusrite Pro 40 in FOH rack
Saffire PRO 40 features a versatile 20 inputs and 20 outputs, including a complement of eight Focusrite mic preamps guaranteed to get the best out of any microphone, with minimal noise and distortion even at high gain. Two mic/line/instrument inputs are accessed via the front panel, which also provides two independent headphone monitor outputs.

This interface is best used with Safire Mix Control which can be downloaded here.

It is also important to note that due to the product interfacing via the Firewire 40 protocol, your playback machine must have either a firewire port or an adaptor.

It is also imperative that both the interface and the playback computer be fully switched off before connecting or disconnecting, as 'Hot-plugging' can cause irreversible damage to both the interface and the playback computer.