Sir John in Love: Difference between revisions

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**Masking Notes**
Masking Notes
 
* Soft Masking =
* Hard Masking =


== False Pros Rigging ==  
== False Pros Rigging ==  

Revision as of 17:05, 30 May 2015


Creative Team

Director Benjamin Davis

Conductor Timothy Dean

Assistant Conductor Ryan Bancroft

Designer Emma and Giuseppe Belli

Assistant Designer Kirsten Rodger

Lighting Designer Johanna Town

Assistant Lighting Designer Shannon Howard

Choreographer Kally Lloyd-Jone

Production Team

Production Manager Malcolm Stephen, Sandy McRobbie

Stage Manager Ross Jardine

Deputy Stage Manager Katy Nicolson

Assistant Stage Managers Valentino Fabbreschi, Calum Paterson, Rachel Wells, Babette Wickham-Riddick

Technical Stage Manager Ian Smyth

Deputy Technical Stage Manager Rory Boyd

Head Flyman Daniel Thompson

Stage Technicians Kieran Kenning, Ben Leach, Fiona Dalgleish

Chief Production Electrician Mary Crook

Deputy Production Electrician/Board Programmer and Operator Neil Smith

Assistant Electricians Chariya Glasse-Davies, Stuart Leech, Ross McCrone


Stage Management

Original Choreography

There were two dance breaks within the Opera, below is a notation of the original choreography.

File:Half Hanniken Choreography.pdf
File:Dance of the Fairies.pdf


Technical Stage Management

Model Box Pictures

Please find the link below for the model box pictures of Sir John in Love.

File:Model Photos.pdf

Final Fly Plot

Please find the link below for the final version of the fly plot for Sir John in Love.


Masking Notes

  • Soft Masking =
  • Hard Masking =

False Pros Rigging

The false proscenium arch that is one of the main features within the duration of the opera, positioned between counter weight bars four and five.

The position of the false pros became an issue when trying to implement it on stage due to the fact it had to be between two counter weight bars.



Hydraulic Wheels for Trucks

Notes