Betty Blue Eyes: Difference between revisions
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==Technical Stage Management== | ==Technical Stage Management== | ||
Betty Blue Eyes was a technically challenging show as there was quite a large set in a small studio space. Another challenge was that the stage was set up in a traverse style; meaning that the audience was seated ether side of the stage. As | Betty Blue Eyes was a technically challenging show as there was quite a large set in a small studio space. Another challenge was that the stage was set up in a traverse style; meaning that the audience was seated ether side of the stage. As can be seen from the groundplan below the stage and seating made full use of the space in the Chandler. | ||
<pdf>BBEGRND.pdf</pdf> | <pdf>BBEGRND.pdf</pdf> | ||
Revision as of 14:44, 23 January 2014
| Betty Blue Eyes | |
|---|---|
| |
| Creative | |
| Director | Dougie Irvine |
| Associate Director | Emily-Jane Boyle |
| Musical Director | David Higham |
| Choreographer | Emily-Jane Boyle |
| Set and Costume Designer | Fraser Lappin |
| Production Team | |
| Stage Manager | Jane Paterson |
| Deputy Stage Manager | Oran O'Neill |
| Assistant Stage Manager | Ross Jardine |
| Assistant Stage Manager | Elspeth Watt |
| Technical Stage Manager | Andrew McCabe |
| Deputy Technical Stage Manager | Kieran Fitzpatrick |
| Chief Production Electrician | Ben Terry |
| Lighting Crew | Maciej Kopka |
| Lighting Crew | Sarah McDonald |
| Sound Number 1 | Graeme Brown |
| Sound Number 2 | Laura Dougan |
| Stats | |
| Venue | Chandler |
Technical Stage Management
Betty Blue Eyes was a technically challenging show as there was quite a large set in a small studio space. Another challenge was that the stage was set up in a traverse style; meaning that the audience was seated ether side of the stage. As can be seen from the groundplan below the stage and seating made full use of the space in the Chandler.
Lighting
LD: Sergey Jakovsky Board Op/Programmer: Sarah MacDonald Since the stage was in traverse everything was mirrored which meant the use of groups was extremely helpful when programming. As well as generic fixtures we used LED parcans, Mac TW1s,various practicals and a mirrorball. We used the ETC Eos Ti desk.
Cue List and LX Plan
Sound
Stage Management
Props Lists and References
Act 1
File:Props list Act1 V.1 .docx
File:Act 1 - Props references.docx
Act 2
File:Props List- Act 2 V.1.docx
File:Act 2 - props references .docx
Stage Management Resources
Please find bellow a list of templates and instructions on how to make some of the props that were used in Betty Blue Eyes
Ration book cover template
For use on wartime plays/musicals. A4 size sheet (for printing), with cutting guidelines. See below tea-staining file to add full-effect on props.
File:Ration book cover template.pdf
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Ration book back cover template
Same as above, but with back cover! The wording is legitimate of the time, incase designers get silly with you
File:Ration Book back cover template.pdf
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Instructions on how to tea-stain paper
Important thing to learn for making paper props in plays set in the past.
File:How to tea stain paper.docx
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Prop blagging letter template
If anyone asks for a letter before they can give you any props. This has spacing top and bottom for the RCS headed paper, available from the AAS Office.
Note: RCS is a registered charity, so ask to speak to the person who deals with charity donations at the company. Have the charity number to hand.
Letter used to get Ikea Table
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Old fashioned can labels
Fit on standard size baked bean/soup tins. For best results add a light layer of PVA glue to the top and bottom edges, and the end which sticks the label down.
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PROPPING CONTACT LIST
Useful contacts who've helped us during this show.
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Union Jack Flag Template
Pages 1&2 are the same, and 3&4 are the same, to be printed double sided to make 1 flag.
We used kebab skewers as the flag sticks.
Prop Makes Photographs
Princess Elizabeth and Prince Phillip Photographs
