Ballet Showcase 2012: Difference between revisions
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== The Masking == | == The Masking == | ||
The masking that was decided upon was; three bays of 3500x6000mm hard maskers all flown (the behind each flat is crucial for ballet entrance, thus why braces can't be used), each set of legs was topped with a border trimmed at 5900mm. The width of the tormentor was set to 10m so the legs were set at a width to match. <br> | The masking that was decided upon was; three bays of 3500x6000mm hard maskers all flown (the behind each flat is crucial for ballet entrance, thus why braces can't be used), each set of legs was topped with a border trimmed at 5900mm. The width of the tormentor was set to 10m so the legs were set at a width to match. <br> | ||
The [[New Athenaeum]] theatre is a particularly hard place to mask due to the slips which are at extreme angles to the stage. Because of these seats a large proportion of the wings could be seen so a lateral fly bar was slung under the fly floors on which three 3000x7000mm legs were placed, masking the wings perfectly whilst still allowing adequate entrance space. <br>[[Image:Ground_Plan.jpg|thumb|border|The Ground Plans for the Ballet Show Case 2012]] | The [[New Athenaeum]] theatre is a particularly hard place to mask due to the slips which are at extreme angles to the stage. Because of these seats a large proportion of the wings could be seen so a lateral fly bar was slung under the fly floors on which three 3000x7000mm legs were placed, masking the wings perfectly whilst still allowing adequate entrance space. <br>[[Image:Ground_Plan.jpg|thumb|border|The Ground Plans for the Ballet Show Case 2012|280px]] | ||
The large amount of side light in the show meant it was necessary to mask the pin rails of both fly floors which was achieved by tensioning a line between the most US an DS upright support beams of the Ath and hanging one of the [[Chandler]]'s 5000x3000mm. | The large amount of side light in the show meant it was necessary to mask the pin rails of both fly floors which was achieved by tensioning a line between the most US an DS upright support beams of the Ath and hanging one of the [[Chandler]]'s 5000x3000mm. | ||
The result of this was a very well masked show, even in the slips. | The result of this was a very well masked show, even in the slips. | ||
Revision as of 07:26, 18 June 2012
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This is the first Ballet show in the Royal Conservatoire and although it has been a reasonably simple affair, it has had some interesting aspects.
The Masking
The masking that was decided upon was; three bays of 3500x6000mm hard maskers all flown (the behind each flat is crucial for ballet entrance, thus why braces can't be used), each set of legs was topped with a border trimmed at 5900mm. The width of the tormentor was set to 10m so the legs were set at a width to match.
The New Athenaeum theatre is a particularly hard place to mask due to the slips which are at extreme angles to the stage. Because of these seats a large proportion of the wings could be seen so a lateral fly bar was slung under the fly floors on which three 3000x7000mm legs were placed, masking the wings perfectly whilst still allowing adequate entrance space.
The large amount of side light in the show meant it was necessary to mask the pin rails of both fly floors which was achieved by tensioning a line between the most US an DS upright support beams of the Ath and hanging one of the Chandler's 5000x3000mm. The result of this was a very well masked show, even in the slips.
The Floor
The ballet floor has been borrowed from Scottish Ballet. It has been made up of four pieces of Harlaquin Cascade dance floor 12 metres by 2 metres laid lengthways across the stage. Then two pieces of Rosco dance floor along the sides to increase the overall width. Tim Plamer, the production manager for Scottish Ballet sent detail instructions of how to lay the floor which is now in the URE Book Laying Balletfloor.