Much Ado About Nothing 2011: Difference between revisions
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Revision as of 23:00, 5 May 2011
Much Ado About Nothing 2011 | ||||||||||||||||
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Much Ado About Nothing Poster
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Cast
Borachio - David Bode
Claudio - Chris Fulton
Sexton - Will Gosnold
Leonato - Max Greig
Ursula/Verges - Jess Hardwick
Beatrice - Lucy Hollis
Don John - Ross Mann
Benedick - Martin McBride
Don Pedro - Mark Rowley
Friar Francis - Natalie Songer
Hero - Bobby Stewart
Margaret/Dogberry - Molly Vevers
Crew
Production Manager - Sandy McRobbie
Stage Manager - Hannah Nicol
Deputy Stage Manager - Samantha Burt
Assistant Stage Manager - Marian Sharkey
Lighting Designer - Alexander Ridgers
Sound Designer - Jonathan Towers
Production Electrician - Madeleine Hillmann
Deputy Production Electrician - Jonathan Towers
Technical Stage Manager - Fiona Nisbet
Lighting Operator - Fiona Findlater
Sound Operator - Rebecca Coull
Technical Crew - Alice McKay, Amber McClelland and Melissa MacDonald
Set
The set consists of mainly steeldeck, but also has a 2 red curtains on the back wall and two hard maskers either side of the stage.
The steeldeck is as pictured below, with the back row being at 500mm high and the rest being at 300mm high. The circle around the 300mm deck is a platform, also at 300mm, built in sections to fit around the steeldeck and make it rounded. The deck was then covered with painted sheets and routered to match the curve of the stage.
The large red curtain was cable tied onto the tab track upstage of the steeldeck, and then cut down the middle, to be tied to either side of the room. Fortunately there were eye screws all ready in the walls, so a truckers hitch was tied to hold them in place and make it very easy to adjust.
Two hard maskers were made by workshop for either side of the stage, and were held in place with a french brace on each one.
Technical Challenges
The only technical challenge that we came across was bolting the steeldeck together, as the sides of the extra curved pieces touched the ground and the 300mm deck was too short to fit underneath. Because of this the curves and deck were flipped upside down, bolted together and then flipped back over, in as few sections as possible, while still being manageable. The middle section was then bolted together, and the large pieces either side were cabled tied onto the row behind, and then the small front section slotted in.