After Life

Jack Thorne‘s play explores the mysteries of the afterlife. Join the newly departed as they face judgement and determine which memory they’ll carry with them into eternity.

Technical Stage Department

This show had several interesting components including: Performer Flying, Petal Drops and a trap.

Performer Flying

During the concept meeting, the designers requested performer flying to signify one of the characters being whisked away to her final resting place. This allowed us plenty of time to design and test a system that met the requirements.

Initial Concepts

The original vision for the scene was for the performer to be flown out vertically and then we would track her off to a wing behind masking and lower her.

We thought a half automated and half human counterweight system could work for this, whereby, the human counterweight controls the vertical movement and the automation controls the on to off-stage movement.

Final Version

The vision for the scene shifted over time, and the final version was the performer being flown out and off-stage right

Sound Department

Requirement

The requirements for the content system needed playback for Qlab and a head mic; we used the in-house Digico SD12 and a Mac studio for Qlab along with a two-channel rack of Shure UHFR running two packs of Shure UR1M with DPA 4061 short capped. The in-house ath sound system, mainly consisting of the D&B E series, was used along with two D&B Q7s and E3s for foldback, an effect speaker for the door and television, and four E0s for front fill. They were all powered by D&B D3 amps that ran into DQ Racks.

Sound Department Photos

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Coms

We used the in-house Techpro for wired and wireless, an 8 set of Holyland C1 running two wire to connect the wireless.

There was a custom setting setup for a total of 3 separate rings, two hard-wired and one wireless. The A hard-wired and A wireless were used for show calling, and the Hardwired B was used for Lighting, sound and the director. The wireless B was used for TSD and stage management.

This was configured through the Hollyland wireless software, which is accessed by holding down on the select button, selecting network setting, turning on the wireless network, then connecting the wireless network via a phone or laptop by selecting the network HLD_345D7B3

Then, into your web browser, enter 192.168.217.100; then you will reach a log-in page with an admin password 12345678; you will then access the settings to change the com’s channel allocations.

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Show challenges

We encountered a problem with the Q7 subwoofers that we borrowed regarding the NL4, as the in-house patch runs NL2, and we had to switch the wiring poles to make them work like NL2, so we made adaptors to make it only two poles rather than the four.

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