Sweet Charity: Difference between revisions
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=Technical Stage Department= | =Technical Stage Department= | ||
This show had to be very sharp and clean and minimal crew on stage. This in tern lead to some very technical systems which we therefore used in this production. | |||
The sliders which made up every scene were automated using the BigTow winches and the Epic desk. | |||
The Ballet Barres were in their own onstage track using a truck winch, to mirror the movement for symmetry. | |||
The Tower was on Kinesys to provide a hidden reveal behind the sliders. | |||
==Automated Sliders== | ==Automated Sliders== | ||
The entire show depended on 4 sliders that move across the stage, creating different shapes and movements to frame each scene. I very early on decided for accuracy and repeatability this needed to be automated. But also for "''neatness''" as if it was on rope we would never coordinate 4 operators perfectly every time. | |||
===Concept Drawings for Slider System=== | |||
Below are the original concept drawings and brainstorming ideas I had whilst coming up with the system. It turned out not too dissimilar to these but not exactly the same. | |||
[[File:Slider Concept Auto Lines 3.jpeg|600px]] | |||
[[File:Slider Concept Auto Lines 4.jpeg|300px]] [[File:Slider Concept Auto Lines 2.jpeg|300px]] | |||
[[File:Slider Concept Auto Lines 1.jpeg|300px]] | |||
After some more brainstorming I decided than rather doing a double purchase CW system on the other side of the automation. That I would go with a 1:1 meaning the weights had to have 12m of movement. Because the weights were traveling so far I wanted a way to guide them, so they don't build up wobble etc. Therefore, I built some CW cradles and rated them, which can then be a product for future use as it holds the in house fly weights. | |||
Below are some images of my build process and then how they looked rigged in the system: | |||
[[File:Cradle Building 1.jpeg|300px]][[File:Cradle Building 2.jpeg|300px]] | |||
[[File:Cradle Load Testing.jpeg|300px]] [[File:Cradle Load Testing 2.jpeg|300px]] | |||
[[File:Counterweight Slider Cradle.jpeg|300px]] [[File:Cradle In Show.JPG|300px]] | |||
[[File:Final Cradle.JPG|600px]] | |||
[[File:|300px]] | |||
==Deck Track (Ballet Barres)== | ==Deck Track (Ballet Barres)== | ||
Revision as of 20:40, 19 June 2024
.
| Sweet Charity | |
|---|---|
| Summary | |
| Dates 17th - 22nd June 2024
| |
| Location New Athenaeum
| |
| Creative Team | |
| Lighting Designer | |
| Sound Designer | |
| Production Team | |
| Head of Stage | |
| Head of Flys | |
| Deputy Stage Supervisor | |
| Production Carpenter | |
| Stage Manager | |
| Deputy Stage Manager | |
| Assistant Stage Manager | |
| LX Programmer | |
| Associate Lighting Designer | |
| PLX | |
| Production Sound Engineer | |
| Sound No.1 | |
| Technical Stage Technicians | |
| LX Technicians | |
| Sound Technicians | |
Overview
"Sweet Charity" is a classic Broadway musical that tells the story of Charity Hope Valentine, a dance hall hostess with a heart of gold, who dreams of finding true love and escaping her dreary life in New York City. Despite facing constant disappointments in her romantic relationships, Charity remains optimistic and resilient, always hopeful for a better future. Along the way, she encounters a colorful cast of characters, including her fellow dancers, eccentric suitors, and quirky acquaintances. Filled with lively dance numbers, memorable songs, and humorous moments, "Sweet Charity" is a tale of love, perseverance, and the pursuit of happiness in the bustling cityscape of the 1960s.
Technical Stage Department
This show had to be very sharp and clean and minimal crew on stage. This in tern lead to some very technical systems which we therefore used in this production. The sliders which made up every scene were automated using the BigTow winches and the Epic desk. The Ballet Barres were in their own onstage track using a truck winch, to mirror the movement for symmetry. The Tower was on Kinesys to provide a hidden reveal behind the sliders.
Automated Sliders
The entire show depended on 4 sliders that move across the stage, creating different shapes and movements to frame each scene. I very early on decided for accuracy and repeatability this needed to be automated. But also for "neatness" as if it was on rope we would never coordinate 4 operators perfectly every time.
Concept Drawings for Slider System
Below are the original concept drawings and brainstorming ideas I had whilst coming up with the system. It turned out not too dissimilar to these but not exactly the same.
After some more brainstorming I decided than rather doing a double purchase CW system on the other side of the automation. That I would go with a 1:1 meaning the weights had to have 12m of movement. Because the weights were traveling so far I wanted a way to guide them, so they don't build up wobble etc. Therefore, I built some CW cradles and rated them, which can then be a product for future use as it holds the in house fly weights.
Below are some images of my build process and then how they looked rigged in the system:
[[File:|300px]]