Inter/section: Difference between revisions

From paperclip
Jump to navigation Jump to search
Nfarndale (talk | contribs)
No edit summary
Nfarndale (talk | contribs)
No edit summary
Line 50: Line 50:
== Overview ==
== Overview ==


 
Inter/section is the CPP 3 cohort split into different groups putting on devised work. There is 6 sections - one per group, a prologue, and an epilogue.


== Design ==
== Design ==
Line 62: Line 62:




===SFX Plans===
===Loop Station===


This was the initial SFX plan formed following the first stages of tech, This would soon become more advanced as the production continued.
A loop station was used live on stage by one of the performers. This was complimented with some composition and foley made by the same student.


<pdf width="975" height="750">Faustus_Sound_Design_SFX_List.pdf</pdf>
A stereo feed was taken from the loop station.


===Speaker Plans===
===Speaker Plans===
Line 74: Line 74:
The speakers used on this show were;
The speakers used on this show were;


- D&b C7s (Subs behind audience)
- KV2 ESD 12 (L, R, C)
 
- KV2 EX 1.5
 
- KV2 EX 6 (Rear LR, Floor LR)
 
===Other plans===
 
MIDI, MSC, and MTC was used in this show.
 
Midi was used to control desk scenes in the QL5 from QLab, MSC was used to trigger LX cues at specific points, and MTC was used at a particular point in the show to keep lx cues in time with sound. This was recorded to MTC in tech and the MTC triggered the lx from there.


- KV2 EX 1.5 (Subs on catwalk)
<pdf width="975" height="750">Intersection MIDI.pdf</pdf>


- KV2 ESD 12 (PA L, PA R, PA C)
The QL5 was downstairs for plot and tech and we initially had various computers for different things.


- KV2 EX 6 (Rear FX)
<pdf width="975" height="750">Intersection Network.pdf</pdf>


===Mics===
===Mics===
Line 86: Line 96:
'''Practical Mic'''
'''Practical Mic'''


[[File:Faustus_mic.jpg|200px]]
There was a flown (fake) Shure 55sh in one scene which was used both as a prop and to speak into.


This prop mic was fitted with a DPA 4060. This was attached to the stand section of the prop, with an additional foam section added to house the pack. This prop would then be taken onto stage by Emma Gray (3rd Faustus) and Molly Geddes (1st Faustus). They would sing into the mic, where reverb would be applied to these vocals.
One group also used CPC headset mics.


'''Hairline Mics'''
'''Hairline Mics'''


Two of the actors Emma Gray (3rd Faustus) and Puvan Sanghera (2nd Faustus) were fitted with hairline Mics. These were DPA 4060s. These were used at tow different points in the show; The possession scene, where delay and reverb were applied. This was to give an otherworldly, unnatural element to the scene. The other point where it was used was the 'Ted Talk' style monologue, where slight reverb and a small amount of amplification was used, to make it seem as though Emma's character was speaking to a much larger room, as though part of a conference.


== Stage Management ==
== Stage Management ==

Revision as of 19:35, 13 March 2024


Inter/section
File:Intersection.jpeg
Summary
Location
Chandler Studio Theatre
Creative Team
Director
Lighting Designer
Sound Supervisor
Production Team
Production Manager
Jacqui Howard
Stage Manager
Deputy Stage Manager
Assistant Stage Manager
Production Electrician
Jon
Lighting Programmer
Production Sound Engineer
Head Of Stage
Stage Technician
Stage Technician
Stage Technician

Overview

Inter/section is the CPP 3 cohort split into different groups putting on devised work. There is 6 sections - one per group, a prologue, and an epilogue.

Design

Lighting

Sound Design

Loop Station

A loop station was used live on stage by one of the performers. This was complimented with some composition and foley made by the same student.

A stereo feed was taken from the loop station.

Speaker Plans

The speakers used on this show were;

- KV2 ESD 12 (L, R, C)

- KV2 EX 1.5

- KV2 EX 6 (Rear LR, Floor LR)

Other plans

MIDI, MSC, and MTC was used in this show.

Midi was used to control desk scenes in the QL5 from QLab, MSC was used to trigger LX cues at specific points, and MTC was used at a particular point in the show to keep lx cues in time with sound. This was recorded to MTC in tech and the MTC triggered the lx from there.

The QL5 was downstairs for plot and tech and we initially had various computers for different things.

Mics

Practical Mic

There was a flown (fake) Shure 55sh in one scene which was used both as a prop and to speak into.

One group also used CPC headset mics.

Hairline Mics


Stage Management

Deputy Stage Manager

Technical Stage Department

Ground Plans