Into The Woods 2023: Difference between revisions
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'''Power''' | '''Equipment and Power''' | ||
Pit: | Pit: | ||
Uses of power = 13amp and 16amp. Our DQ rack which distrobutes signal to the digico desk is powered by 16amp found in the upsatge left corner of the pit. | Uses of power = 13amp and 16amp. Our DQ rack which distrobutes signal to the digico desk is powered by 16amp found in the upsatge left corner of the pit. we postioned our DQ rack at the front of the pit, DSL. This was because we had four subs on this show, two B1 - L + R and two C7 Subs - L + R. these were powered by amplifiers inserted in our DQ rack in the pit. We avoided long unwated runs of NL4(speaker cable) and were able to concentrate all of our cable runs at the front of the pit where easily accesible and out of the way of band memebers. | ||
Nineteen microphones were used in our pit band. | |||
Microphone types included: | |||
DPA 4099 - Violins, Violas, Bass, Cello which were all attached using specific clips designed for each instruments. For eaxmple: | |||
Each instruments microphone is connected to the DQ rack in the inputs section via XLR cable. We used three stage boxes around the pit in order to control the amount of cable needed. See Image below. | Each instruments microphone is connected to the DQ rack in the inputs section via XLR cable. We used three stage boxes around the pit in order to control the amount of cable needed. See Image below. | ||
PIT1234.jpeg [[File:PIT1234.jpeg|500px]] | PIT1234.jpeg [[File:PIT1234.jpeg|500px]] | ||
hanging mics, bundgies | |||
steel deck, | |||
powerplays, in ears | |||
mics | |||
=Lighting= | =Lighting= | ||
Revision as of 16:50, 1 December 2023
.
| Into The Woods 2023
| |
|---|---|
| Summary | |
| Dates 4th - 9th December 2023
| |
| Location New Athenaeum
| |
| Creative Team | |
| Director | |
| Designer | |
| Lighting Designer | |
| Sound Designer | |
| Video Designer | |
| Production Team | |
| Stage Supervisor | |
| Deputy Stage Supervisor | |
| Stage Manager | |
| Deputy Stage Manager | |
| Assistant Stage Manager | |
| LX Programmer | |
| PLX | |
| Technical Stage Technicians | |
| Sound 2 | |
| PSE | |
Overview
Technical Stage Department
Iris Effect
Moon
Ground Plans
Sound
Design
Comms
To connect our wired and wireless comms
- 3 Pin XLR out of wired comms basestation to in house patch
- From in house patch, XLR to 4-wire, into wireless comms basestation
To get wireless control pad
- Wireless basestation network settings
- Connect to basestations wifi
- Enter IP address in browser
Our settings
Meant that all wireless comms were constantly on B ring for our 'stage ring', but are still able to hear the DSM's show call.
Everyone on wired comms on A ring and are unable to hear wireless B ring.
B ring on wired comms was available too, separate wireless B ring, but are unable to hear the DSM.
Hollyland Solidcom C1 HUB8S Control Pad
A Group - Default 
B Group - Default 
A Group - Changed 
B Group - Changed 
Equipment and Power
Pit: Uses of power = 13amp and 16amp. Our DQ rack which distrobutes signal to the digico desk is powered by 16amp found in the upsatge left corner of the pit. we postioned our DQ rack at the front of the pit, DSL. This was because we had four subs on this show, two B1 - L + R and two C7 Subs - L + R. these were powered by amplifiers inserted in our DQ rack in the pit. We avoided long unwated runs of NL4(speaker cable) and were able to concentrate all of our cable runs at the front of the pit where easily accesible and out of the way of band memebers.
Nineteen microphones were used in our pit band. Microphone types included: DPA 4099 - Violins, Violas, Bass, Cello which were all attached using specific clips designed for each instruments. For eaxmple:
Each instruments microphone is connected to the DQ rack in the inputs section via XLR cable. We used three stage boxes around the pit in order to control the amount of cable needed. See Image below.
PIT1234.jpeg 
hanging mics, bundgies steel deck, powerplays, in ears mics
Lighting
Stage Management
Video
Photos
Production Photos
Behind The Scenes
