Merrily We Roll Along 2022: Difference between revisions
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=Sound= | =Sound= | ||
One of the main challenges of this show was the pit being at half-height. This of course meant less control in the front of house mix, and an overall louder sound in the auditorium before amplification. This also meant carefully runnning our cables up onto the pit lift, including cue and comms cables as well as cat5 for personal monitoring. It was important that this was made safe for the muscicians by making cable runs as clean as possible. | |||
This also meant rigging the MD Camera with a hex-clamp and camera rigging to the underside of the stage to ensure a good view of the MD. | |||
=Video= | =Video= |
Revision as of 12:36, 29 November 2022
Overview
Stage Management
Technical Stage Department
Lighting
Sound
One of the main challenges of this show was the pit being at half-height. This of course meant less control in the front of house mix, and an overall louder sound in the auditorium before amplification. This also meant carefully runnning our cables up onto the pit lift, including cue and comms cables as well as cat5 for personal monitoring. It was important that this was made safe for the muscicians by making cable runs as clean as possible.
This also meant rigging the MD Camera with a hex-clamp and camera rigging to the underside of the stage to ensure a good view of the MD.