Flight 2022: Difference between revisions
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! style="background-color: # | ! style="background-color: #F0A3FF; font-size: 150%;" align="center" colspan="2"| <span style="color: #FFFFFF;">'''{{PAGENAME}}'''</span> | ||
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! style="background-color:#F0A3FF; font-size: 120%;" align="center" colspan="2"| <span style="font-family: Tahoma "> <span style="color: #FFFFFF;">'''Summary'''</span> | |||
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|align="center" colspan="2"|'''Dates''' <div style="text-align: centre;"> 12th - 18th March 2022 </div> | |||
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|align="center" colspan="2"|'''Location''' <div style="text-align: centre;"> New Athenaeum Theatre </div> | |||
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style="background-color:#F0A3FF; font-size: 120%;" align="center" colspan="2"| <span style="font-family: Tahoma"> <span style="color: #FFFFFF;">'''Production Team'''</span> | |||
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|align="center" colspan="2"|'''Production Manager''' <div style="text-align: centre;"> Kevin Murray </div> | |||
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|align="center" colspan="2"|'''Stage Manager''' <div style="text-align: centre;"> </div> | |||
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|align="center" colspan="2"|'''Deputy Stage Manager''' <div style="text-align: centre;">[[Eve Imrie]]</div> | |||
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|align="center" colspan="2"|'''Assistant Stage Managers''' <div style="text-align: centre;">[[Brad Hamilton]] & [[Lana Kirk]]</div> | |||
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|align="center" colspan="2"|'''Stage Supervisor''' <div style="text-align: centre;">[[Erin Johnstone]]</div> | |||
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|align="center" colspan="2"|'''Lighting Programmer''' <div style="text-align: centre;"> [[ ]]</div> | |||
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|align="center" colspan="2"|'''Lighting Operator''' <div style="text-align: centre;"> [[Ewan Fraser]]</div> | |||
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|align="center" colspan="2"|'''Production Electrician ''' <div style="text-align: centre;">[[Pierce Brown]]</div> | |||
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== Summary == | |||
== Company == | |||
== Stage Management == | |||
== Technical Stage Department == | |||
'''The Set''' | |||
As the opera would suggest the set for this production was an airport terminal. Two large towers, one each side of stage, the SR tower has a second level balcony/control room. Four flying concrete headers, each supported with a 'Y' shaped frame. The floor was painted with a perspective grid that worked with the 'Y' supports to force a deeper look to the space. | |||
'''The Build''' | |||
The fit up period for the show was very compact, we had three days in the venue, one grid work/venue prep day with the set arriving that evening. Then two build days, with some help from workshop. The first day consisted of grid work, installing all the hemp points, rerouting the winches and dropping the points to the floor, building and floating the truss and finally laying the floor. This left us in a good position for the set build starting the next day. The second day started by building the larger items first, using the full stage space to build them. From there we assembled and suspended the flying items, like the concrete headers and the LX rig and started on the SR tower. The third and final day saw the build of both towers, the SR tower was build at height as it had a 3m platform for the second level. The SL tower was assembled in two sections on stage then the top piece was flown out on hemp and landed on the lower half, the lines were cleated off to provide support to the tower. | |||
== Lighting Department == | |||
== Sound Department == |
Revision as of 12:36, 10 June 2022
Summary
Company
Stage Management
Technical Stage Department
The Set
As the opera would suggest the set for this production was an airport terminal. Two large towers, one each side of stage, the SR tower has a second level balcony/control room. Four flying concrete headers, each supported with a 'Y' shaped frame. The floor was painted with a perspective grid that worked with the 'Y' supports to force a deeper look to the space.
The Build
The fit up period for the show was very compact, we had three days in the venue, one grid work/venue prep day with the set arriving that evening. Then two build days, with some help from workshop. The first day consisted of grid work, installing all the hemp points, rerouting the winches and dropping the points to the floor, building and floating the truss and finally laying the floor. This left us in a good position for the set build starting the next day. The second day started by building the larger items first, using the full stage space to build them. From there we assembled and suspended the flying items, like the concrete headers and the LX rig and started on the SR tower. The third and final day saw the build of both towers, the SR tower was build at height as it had a 3m platform for the second level. The SL tower was assembled in two sections on stage then the top piece was flown out on hemp and landed on the lower half, the lines were cleated off to provide support to the tower.
Lighting Department
Sound Department
Flight 2022 | |
---|---|
Summary | |
Dates 12th - 18th March 2022
| |
Location New Athenaeum Theatre
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Production Manager Kevin Murray
| |
Stage Manager | |
Deputy Stage Manager | |
Assistant Stage Managers | |
Stage Supervisor | |
Lighting Programmer [[ ]]
| |
Lighting Operator | |
Production Electrician |