Balm In Gilead 2017: Difference between revisions
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Revision as of 11:49, 13 November 2017
| Balm In Gilead | |||
|---|---|---|---|
| Production | Balm In Gilead | ||
| |||
| Performance Time | |||
| Performance Dates | Tuesday 31st October 2017 - Friday 3rd November 2017 | ||
| Stats | |||
| Venue | Chandler | ||
| Creative Team | |||
| Director | Mark Thomson | ||
| Designer | Katy Meehan | ||
| Lighting Designer | Calum Dunbar | ||
| Sound Designer | Andrew Jackson
| ||
| Production Team | |||
| Production Manager | Colin Bell | ||
| Stage Manager | Yvonne Carruthers | ||
| Assistant Stage Managers | Simon McEwan | Andrew Johnston | |
| Deputy Stage Manager | Laurie Sutton | ||
| Technical Stage Manager | Heather McKennan | ||
| Deputy Technical Stage Managers | Poppy Apter | Jak Coventry | |
| Sound No.1 | Dylan Hodgson | ||
| Production Electrician | Jared Hutsby | ||
| Deputy Production Electrician | James McQueen | ||
| Lighting Programmer | Karyn Wilson | ||
Overview
When Lanford Wilson wrote Balm in Gilead in 1965, Manhattan was not the New York we know today where only the rich could countenance actually living. He takes us to an all-night cafe populated by the desperate. Prostitutes, hustlers and heroin addicts gather nightly for company, drugs and to make a buck.