Swinging into Christmas 2015: Difference between revisions
No edit summary |
|||
| Line 34: | Line 34: | ||
This was the second year where Swinging used Truss and motors to rig the set, rather than using hard maskers. | This was the second year where Swinging used Truss and motors to rig the set, rather than using hard maskers. | ||
Below is a diagram on where the points are, | All was made of H30V. 3 upstage motors were hung on existing beam clamps with a SWL of 200kg. We used the 2 existing 1/4 ton motors, and a 1/2 ton in the centre. | ||
The side chords were flown on 2 1/2 tonne motors. The U/S was a straight hang on a basket, the D/S using a bridal using a clutch chain. | |||
Below is a diagram on where the points are, and which motors were used. | |||
Revision as of 11:46, 5 January 2016
Production Team
Stage Manager: Judy Stewart
Depute Stage Manager: Sam Wright
Technical Stage Manager: Rory Boyd
Depute Technical Stage Manager: Kieran Kenning
Sound 1: Jev Burchell
Sound 2: Ryan Davy & Babette Wickham - Riddick
Crew: Ailie Richford, Emma Campbell, Laurie Sutton, Reece Flynn, Calum Dunbar, Susannah McWhirter, Vladimira Dovalova, Kirstie Connell.
TSM
Deck
The rostra in the hall was pushed forward by 6ft, to allow for deck to be placed behind it. This comprised of 2 rows, one consisted of 4 8x4 sections & 1 4x4. The second row, was 4 8x2 & 1 4x2.
The legs on these were to match the top section of the rostra, so the legs were 610mm (from floor to top of deck)
Rigging
This was the second year where Swinging used Truss and motors to rig the set, rather than using hard maskers.
All was made of H30V. 3 upstage motors were hung on existing beam clamps with a SWL of 200kg. We used the 2 existing 1/4 ton motors, and a 1/2 ton in the centre.
The side chords were flown on 2 1/2 tonne motors. The U/S was a straight hang on a basket, the D/S using a bridal using a clutch chain.
Below is a diagram on where the points are, and which motors were used.