Designers: Difference between revisions
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== [[Cordelia Chisholm]] == | == [[Cordelia Chisholm]] == | ||
== Edward Gordon Craig == | == Edward Gordon Craig == | ||
Seen as one of the 3 giants leading against realism in the late 1800s/early 1900s (along with Appia & Reinhardt). | |||
Finished an acting career in 1897 to become a designer, his first few productions being in a traditional format for the time. First revolutionary steps began in 6 shows he produced between 1900-1903. Funding was dificult to get as he was a dificult person to work with. Refused to direct any shows where he didn't have complete artistic control. Two main staples of his work - that began as accidents due to venues and lack of time - were leveled stages/flooring and building scenes "around a single emblematic property" (A Vision of Theatre, page 47. Available from RSAMD library). | |||
Also done a lot of work on movement of actors, devising his own method of blocking for dance using lines for the body and a triangle as the direction of the head, lighting, becoming one of the first people to ditch footlights and light from overhead and costume, refusing to have traditional costumes and instead ones that had more of a representation of the character. | |||
== Maria Bjornson == | == Maria Bjornson == | ||
Revision as of 10:47, 13 March 2008
Cordelia Chisholm
Edward Gordon Craig
Seen as one of the 3 giants leading against realism in the late 1800s/early 1900s (along with Appia & Reinhardt).
Finished an acting career in 1897 to become a designer, his first few productions being in a traditional format for the time. First revolutionary steps began in 6 shows he produced between 1900-1903. Funding was dificult to get as he was a dificult person to work with. Refused to direct any shows where he didn't have complete artistic control. Two main staples of his work - that began as accidents due to venues and lack of time - were leveled stages/flooring and building scenes "around a single emblematic property" (A Vision of Theatre, page 47. Available from RSAMD library).
Also done a lot of work on movement of actors, devising his own method of blocking for dance using lines for the body and a triangle as the direction of the head, lighting, becoming one of the first people to ditch footlights and light from overhead and costume, refusing to have traditional costumes and instead ones that had more of a representation of the character.