Sir John in Love: Difference between revisions
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Masking Notes | |||
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== False Pros Rigging == | == False Pros Rigging == | ||
Revision as of 17:05, 30 May 2015
Creative Team
Director Benjamin Davis
Conductor Timothy Dean
Assistant Conductor Ryan Bancroft
Designer Emma and Giuseppe Belli
Assistant Designer Kirsten Rodger
Lighting Designer Johanna Town
Assistant Lighting Designer Shannon Howard
Choreographer Kally Lloyd-Jone
Production Team
Production Manager Malcolm Stephen, Sandy McRobbie
Stage Manager Ross Jardine
Deputy Stage Manager Katy Nicolson
Assistant Stage Managers Valentino Fabbreschi, Calum Paterson, Rachel Wells, Babette Wickham-Riddick
Technical Stage Manager Ian Smyth
Deputy Technical Stage Manager Rory Boyd
Head Flyman Daniel Thompson
Stage Technicians Kieran Kenning, Ben Leach, Fiona Dalgleish
Chief Production Electrician Mary Crook
Deputy Production Electrician/Board Programmer and Operator Neil Smith
Assistant Electricians Chariya Glasse-Davies, Stuart Leech, Ross McCrone
Stage Management
Original Choreography
There were two dance breaks within the Opera, below is a notation of the original choreography.
File:Half Hanniken Choreography.pdf
File:Dance of the Fairies.pdf
Technical Stage Management
Model Box Pictures
Please find the link below for the model box pictures of Sir John in Love.
Final Fly Plot
Please find the link below for the final version of the fly plot for Sir John in Love.
Masking Notes
- Soft Masking =
- Hard Masking =
False Pros Rigging
The false proscenium arch that is one of the main features within the duration of the opera, positioned between counter weight bars four and five.
The position of the false pros became an issue when trying to implement it on stage due to the fact it had to be between two counter weight bars.