The Importance Of Being Earnest: Difference between revisions
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! style="background-color: #F5F5F5; font-size: 120%;" align="center" colspan="2"| <span style="color: #000066;">'''{{PAGENAME | ! style="background-color: #F5F5F5; font-size: 120%;" align="center" colspan="2"| <span style="color: #000066;">'''{{PAGENAME}} '''</span> | ||
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| align="center" | ''____________________________'' | | align="center" | ''____________________________'' | ||
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|'''Lighting Designer''' | |'''Lighting Designer''' | ||
| | | Simon Hayes | ||
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|'''Sound Designer''' | |'''Sound Designer''' | ||
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===Technical Credits=== | |||
'''Production Manager''' [[Dave Evans]] | |||
==Stage Management== | |||
'''Stage Manager''' [[ Alice McKay ]] | |||
'''Deputy Stage Manager''' [[Amber McClelland]] | |||
'''Assit. Stage Manager''' [[Julia Perez]] | |||
'''Assit. Stage Manager''' [[Rosie Barber]] | |||
==Stage== | |||
''' Technical Stage Manager''' [[ Melissa MacDonald]] | |||
'''Deputy Technical Stage Manager''' [[Andrew McCabe]] | |||
==Electrics== | |||
'''Production Electrician''' [[Michael Parkin]] | |||
'''Deputy Plx''' [[Audrey Wilson]] | |||
'''LX crew and board operator''' [[Elleanor Taylor]] | |||
[[File:Importance_of_Being_Earnest_LX_Plan.gif]] | |||
==Sound== | |||
'''Sound Opertator''' [[Graeme Brown]] | |||
==Technical Challenges== | |||
==TSM== | |||
===Storage=== | |||
+ Creating space to store the furniture for act 2 required us to use the area behind the dock doors as a storage area. This is frequently done buy hanging a small black ( 3mx4.5m) and masking it off as a small storage area. This has been marked as " Chandler Storage area black" and is located in the blacks store in the Ath. | |||
===Studio Tack=== | |||
'''Description''' | |||
Studio tack is a type of sticky back plastic. It is frequently used in Television and Photography. | |||
'''Application''' | |||
Applying the tack to the surfaces was a 3 person job at least. It required two persons to hold the opposing ends taught and a third person to smooth and discourage air bubbles from forming as the tack was applied. Edges of the sheets were secured with Contact Adhesive. | |||
'''Studio Tack : Care and Replacement''' | |||
The most effective way to clean the surface was to use lighter fluid and cotton wool. Pouring a small amount of lighter fluid onto the surface and leaving it a few seconds before wiping seemed to work best. It was a part of our checks (both pre show and at the interval) to look for marks made by shoes or furniture, if these marks were deemed obvious they would be removed as best possible. | |||
'''Bubbles''' | |||
Air Bubbles were almost inevitable and the most effective way of removing them was to use a small knife and pierce the edge of the bubble carefully and smooth out the air with a cloth. | |||
[[File:studio1.jpg|500px|]] [[File:studio2.jpg|500px|]] | |||
'''Above''': the appication of the studio tack; and chasing out bubbles | |||
===Groundplans=== | |||
[[File:JpegEarnest.png| 500px]] | |||
Latest revision as of 15:48, 2 February 2013
| The Importance Of Being Earnest | ||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
____________________________
| ||||||||||||||||||
Technical Credits
Production Manager Dave Evans
Stage Management
Stage Manager Alice McKay
Deputy Stage Manager Amber McClelland
Assit. Stage Manager Julia Perez
Assit. Stage Manager Rosie Barber
Stage
Technical Stage Manager Melissa MacDonald
Deputy Technical Stage Manager Andrew McCabe
Electrics
Production Electrician Michael Parkin
Deputy Plx Audrey Wilson
LX crew and board operator Elleanor Taylor
Sound
Sound Opertator Graeme Brown
Technical Challenges
TSM
Storage
+ Creating space to store the furniture for act 2 required us to use the area behind the dock doors as a storage area. This is frequently done buy hanging a small black ( 3mx4.5m) and masking it off as a small storage area. This has been marked as " Chandler Storage area black" and is located in the blacks store in the Ath.
Studio Tack
Description
Studio tack is a type of sticky back plastic. It is frequently used in Television and Photography.
Application
Applying the tack to the surfaces was a 3 person job at least. It required two persons to hold the opposing ends taught and a third person to smooth and discourage air bubbles from forming as the tack was applied. Edges of the sheets were secured with Contact Adhesive.
Studio Tack : Care and Replacement
The most effective way to clean the surface was to use lighter fluid and cotton wool. Pouring a small amount of lighter fluid onto the surface and leaving it a few seconds before wiping seemed to work best. It was a part of our checks (both pre show and at the interval) to look for marks made by shoes or furniture, if these marks were deemed obvious they would be removed as best possible.
Bubbles
Air Bubbles were almost inevitable and the most effective way of removing them was to use a small knife and pierce the edge of the bubble carefully and smooth out the air with a cloth.
Above: the appication of the studio tack; and chasing out bubbles
Groundplans
