New Athenaeum Theatre Sound: Difference between revisions
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[http://www.jblpro.com/BackOffice/ProductAttachments/Control_200_Brochure_051309_lowres.pdf JBL 200 series Technical Specifications] | [http://www.jblpro.com/BackOffice/ProductAttachments/Control_200_Brochure_051309_lowres.pdf JBL 200 series Technical Specifications] | ||
<br> | <br> | ||
Powered by | Powered by 1 Clyde CX-A6 | ||
<br> | <br> | ||
Sends 19, 20 on XLR Patchbay. | Sends 19, 20 on XLR Patchbay. | ||
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==Control== | ==Control== | ||
'''Surface''' | |||
'''DiGiCo SD12 Worksurface'''<br> '''SD12 surface - 24+2 faders, 2 DMI slots, 24ch USB Audio I/O, 2 | |||
BNC MADI, 2 PSU, 16 GPIO, dust cover | |||
72 mono input channels, 36 mono output busses | |||
2 mono or stereo solo busses. LR or LCR master buss | |||
12 x 8 matrix, 12 CG/VCA, 12 FX, 16 x 32 band graphic eq’s | |||
Local I/O 8 x Mic/Line inputs, 8 x Line outputs, 8 x AES I/O | |||
mono stream Dimensions; 1124 (w) x 795 (d) x 389 (h) mm | |||
Weight; 42Kg''' | |||
<br> '''DiGiCo SD12 Theatre Specific Application Software''' | |||
<br> | |||
[[File:Digico-SD12.jpg]]<br>[[File:Digico-SD12-Rear-2.jpg]] | |||
<br> | |||
[[ | |||
<br> | <br> | ||
'''I/O''' | |||
<br> | <br> | ||
[[File: | '''3 x DiGiCo DQ Racks'''<br>'''6u Rackframe, 2 PSU's, 2 RJ45 Dante, 48 mic/line in, | ||
20 line out, up to an additional 4 line or 8 AES out'''<br> | |||
[[File:DQ-Back-1.jpg]] | |||
<br> | <br> | ||
'''All Dante Enabled''' | |||
<br> | <br> | ||
<br> | <br> | ||
''' | '''Monitoring''' | ||
<br> | <br> | ||
<br> | <br> | ||
'''Fostex 6301B''' | |||
<br> | <br> | ||
[[File:fostex.jpg]]'''2 Fostex 6301B permanently installed in the control room''' | [[File:fostex.jpg]]'''2 Fostex 6301B permanently installed in the control room''' | ||
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[http://www.fostexinternational.com/docs/downloads/pdfs/6301b_owners_manual.pdf Fostex 6301B Overview] | [http://www.fostexinternational.com/docs/downloads/pdfs/6301b_owners_manual.pdf Fostex 6301B Overview] | ||
<br> | <br> | ||
<br> | <br> | ||
==Playback/Recording== | ==Playback/Recording== | ||
<br> | '''DAW Hardware''' | ||
''' | <br> | ||
'''1 Focusrite Scarlett 18i20''' | |||
<br> | <br> | ||
[ | Scarlett 18i20 features a versatile 20 inputs and 20 outputs, including a complement of eight Focusrite mic preamps guaranteed to get the best out of any microphone, with minimal noise and distortion even at high gain. Two mic/line/instrument inputs are accessed via the front panel, which also provides two independent headphone monitor outputs. | ||
This interface is best used with Safire Mix Control which can be downloaded [http://global.focusrite.com/firewire-audio-interfaces/saffire-pro-40/downloads here.] | |||
<br> | <br> | ||
Latest revision as of 08:44, 24 May 2023
There is a world-class sound system in the Ath. This is made op of D&b Audiotechnik Amps and Speakers and a Midas Pro Series Console. The system is mostly hard-wired and does not move from its set position. There is the potential for up to 10 monitor mixes to stage and the orchestra pit on the house system.
Main House Rig
D&b E12
2 Main stalls speakers, one positioned in landscape aspect either side of stage
Powered by 1 D&b D6 Amplifier.
Sends 1 & 2 on XLR Patchbay.
E12 Manual
The E-Series
D&b E8
4 Upper floors speakers, one positioned at either side of Proscenium in portrait aspect
Powered by 2 D&b D6 Amplifiers.
Sends 3 & 4 on XLR Patchbay.
E8 Manual
The E-Series
D&b Qi7
2 Lower section Centre-fill Mid-Tops placed in landscape aspect in Centre Cluster
Powered by 1 D&b D6 Amplifier.
Send 5 on XLR Patchbay.
Qi7 Manual
The Q-Series
D&b Qi-SUB/QiCSA-SUB
3 Upper section Centre-fill Subs in Cardioid Arrangement in Centre Cluster
Powered by 1 D&b D12 Amplifier.
Send 6 on XLR Patchbay.
Qi-SUB/QiCSA-SUB Manual
The Q-Series
TI 330 - Cardioid Sub Woofer Arrangement
D&b E0
4 Black Front Fills and 12 White Delay speakers spread over all floors on two seperate rings
Powered by 3 D&b D6 Amplifiers.
Sends 7, 8 & 9 on XLR Patchbay.
E0 Manual
The E-Series
Foldback
D&b E3
6 In stock - 2 with horizontal flying brackets, 4 with vertical flying brackets
E3 Manual
The E-Series
Additional Speakers
JBL Control 226C/T
18 permanently installed in the auditorium
JBL 200 series Technical Specifications
Powered by 1 Clyde CX-A6
Sends 19, 20 on XLR Patchbay.
Amplification
D&b D6
10 in Main control room amp rack, 2 in portable rack with Midas Stage box
D6 Hardware Manual
D6 Software Manual
D&b D12
1 in Main control room amp rack
D12 Hardware Manual
D12 Software Manual
Crown K2
1 in Main control room amp rack
K2 Operations Manual
Cloud CX-A6
1 in Main control room amp rack
Cloud CX-A6 Technical Specifications
Control
Surface
DiGiCo SD12 Worksurface
SD12 surface - 24+2 faders, 2 DMI slots, 24ch USB Audio I/O, 2
BNC MADI, 2 PSU, 16 GPIO, dust cover
72 mono input channels, 36 mono output busses
2 mono or stereo solo busses. LR or LCR master buss
12 x 8 matrix, 12 CG/VCA, 12 FX, 16 x 32 band graphic eq’s
Local I/O 8 x Mic/Line inputs, 8 x Line outputs, 8 x AES I/O
mono stream Dimensions; 1124 (w) x 795 (d) x 389 (h) mm
Weight; 42Kg
DiGiCo SD12 Theatre Specific Application Software
I/O
3 x DiGiCo DQ Racks
6u Rackframe, 2 PSU's, 2 RJ45 Dante, 48 mic/line in,
20 line out, up to an additional 4 line or 8 AES out
All Dante Enabled
Monitoring
Fostex 6301B
2 Fostex 6301B permanently installed in the control room
Fostex 6301B Overview
Playback/Recording
DAW Hardware
1 Focusrite Scarlett 18i20
Scarlett 18i20 features a versatile 20 inputs and 20 outputs, including a complement of eight Focusrite mic preamps guaranteed to get the best out of any microphone, with minimal noise and distortion even at high gain. Two mic/line/instrument inputs are accessed via the front panel, which also provides two independent headphone monitor outputs.
This interface is best used with Safire Mix Control which can be downloaded here.