Russian Triple Bill: Difference between revisions
No edit summary |
|||
| (21 intermediate revisions by the same user not shown) | |||
| Line 1: | Line 1: | ||
| Line 9: | Line 8: | ||
. | . | ||
{| style=" border: 4px solid #d4c5d2; background-color: #FFFFFF; float: right; clear: right; margin: 2px; width: 22em;" | |||
! style="background-color: #d4c5d2; font-size: 150%;" align="center" colspan="2"| <span style="color: #91638d;">'''{{PAGENAME}}'''</span> | |||
|- | |||
|align="center" | [[File:.png|300px|]] | |||
|- | |||
! style="background-color:#d4c5d2; font-size: 120%;" align="center" colspan="2"| <span style="font-family: Tahoma "> <span style="color: #91638d;">'''Summary'''</span> | |||
|- | |||
|'''Dates''' <div style="text-align: centre;"> 16th Feb 2023 - 24th Feb 2023 </div> | |||
|- | |||
|'''Performance Course''' <div style="text-align: centre;"> Opera </div> | |||
|- | |||
|'''Location''' <div style="text-align: centre;"> New Athenaeum Theatre</div> | |||
|- | |||
! style="background-color:#d4c5d2; font-size: 120%;" align="center" colspan="2"| <span style="font-family: Tahoma"> <span style="color: #91638d;">'''Creative Team'''</span> | |||
|- | |||
|'''Director''' <div style="text-align: centre;"> [[Max]] </div> | |||
|- | |||
|'''Designer''' <div style="text-align: centre;"> [[Jemima]] </div> | |||
|- | |||
|'''Lighting Designer''' <div style="text-align: centre;"> [[Leo Wittwer]] </div> | |||
|- | |||
! style="background-color:#d4c5d2; font-size: 120%;" align="center" colspan="2"| <span style="font-family: Tahoma"> <span style="color: #91638d;">'''Production Team'''</span> | |||
|- | |||
|'''Stage Manager''' <div style="text-align: centre;"> [[Jacqui Howard]] </div> | |||
|- | |||
|'''Deputy Stage Manager''' <div style="text-align: centre;"> [[Thomas O'Hear]] </div> | |||
|- | |||
|'''Assistant Stage Manager''' <div style="text-align: centre;"> [[Ana Carolina Sabino]] </div> | |||
|- | |||
|'''Assistant Stage Manager''' <div style="text-align: centre;"> [[Cameron McGrath]] </div> | |||
|- | |||
|'''Assistant Stage Manager''' <div style="text-align: centre;"> [[David Kyle]] </div> | |||
|- | |||
|'''Head of Stage + Automation''' <div style="text-align: centre;"> [[Scotty]] </div> | |||
|- | |||
|'''Head of Flys + Automation''' <div style="text-align: centre;"> [[Tom Sedgwick]] </div> | |||
|- | |||
|'''Stage Technician''' <div style="text-align: centre;"> [[Jamie Partridge]] </div> | |||
|- | |||
|'''Stage Technician''' <div style="text-align: centre;"> [[Saul Johnstone]] </div> | |||
|- | |||
|'''Stage Technician''' <div style="text-align: centre;"> [[Pim Unhasuta]] </div> | |||
|- | |||
|'''LX Programmer''' <div style="text-align: centre;"> [[Rhia Mitsuhashi]] </div> | |||
|- | |||
|'''PLX''' <div style="text-align: centre;"> [[Jamie Murray]] </div> | |||
|- | |||
|'''Production Sound Engineer''' <div style="text-align: centre;"> [[Lana Kirk]] </div> | |||
|- </div> | |||
|} | |||
=='''Overview'''== | |||
=Technical Stage Department= | |||
===Design=== | |||
The design of Opera 3 was very green card friendly due to the designer looking through Paperclip beforehand and choosing our cloths from stock and steeldeck then disigning accordingly. | |||
This was a huge help in terms of the set needing built. | |||
The original plan for Moxart and Salieri (Act 1) Was to have two coffins and two laser cut Stave music signs with the composers names, sadly due to unforseen circumstances this opera was cut from the Bill and was replaced with a movement piece by Prokofiev. Thjs concluded in the signs being cut however we kept th two standing coffins, one of which stood 4000mm tall. | |||
====Mozart & Salieri==== | |||
The 'Mozart' Coffin stands 4 meters tall and needs to be hidden during Act 2 by a cloth and completely off stage during Act 3. A performer is to sit on top of the coffin and play the fiddle whilst up there. This meant workshop had to build a full steel frame, weld a vertical ladder on to the back, secure eye bolts to the top to allow it to fly, and have opening front & back doors. | |||
The doors were heavy and the unnatural shape of the coffin caused them to swing drastically | |||
[[File:52760682838 a5347212f5 o.jpg|thumb|none|400px|Scene Change]] | |||
====Feast In Time of Plague==== | |||
This Piece was themed off of the Covid - 19 era. It consisted of the coffin being covered by a cloth that was flown in Via Kinesys as it was a 20 meter cyc it was too heavy to lift as well as climb the ladder. | |||
===Groundplans=== | |||
Two grid panels needed to be opened to allow the SR Truss to fly. To get the motors in the correct position we used Twin Leg Clutch chains. This took a team of 3 on the grid in harnesses. A handy trick was using Vectorworks to measure out each leg of the clutch chain prior to attaching the motor, this meant we were not far off the point during fit-up. | |||
<pdf>Flyplot_-_Opera_3.pdf</pdf> | |||
<pdf>Bridle_-_Kinesys.pdf</pdf> | |||
<pdf>TSD_Fit_Up.pdf</pdf> | |||
Latest revision as of 20:08, 17 May 2023
.
| Russian Triple Bill | |
|---|---|
| File:.png | |
| Summary | |
| Dates 16th Feb 2023 - 24th Feb 2023
| |
| Performance Course Opera
| |
| Location New Athenaeum Theatre
| |
| Creative Team | |
| Director | |
| Designer | |
| Lighting Designer | |
| Production Team | |
| Stage Manager | |
| Deputy Stage Manager | |
| Assistant Stage Manager | |
| Assistant Stage Manager | |
| Assistant Stage Manager | |
| Head of Stage + Automation | |
| Head of Flys + Automation | |
| Stage Technician | |
| Stage Technician | |
| Stage Technician | |
| LX Programmer | |
| PLX | |
| Production Sound Engineer | |
Overview
Technical Stage Department
Design
The design of Opera 3 was very green card friendly due to the designer looking through Paperclip beforehand and choosing our cloths from stock and steeldeck then disigning accordingly. This was a huge help in terms of the set needing built. The original plan for Moxart and Salieri (Act 1) Was to have two coffins and two laser cut Stave music signs with the composers names, sadly due to unforseen circumstances this opera was cut from the Bill and was replaced with a movement piece by Prokofiev. Thjs concluded in the signs being cut however we kept th two standing coffins, one of which stood 4000mm tall.
Mozart & Salieri
The 'Mozart' Coffin stands 4 meters tall and needs to be hidden during Act 2 by a cloth and completely off stage during Act 3. A performer is to sit on top of the coffin and play the fiddle whilst up there. This meant workshop had to build a full steel frame, weld a vertical ladder on to the back, secure eye bolts to the top to allow it to fly, and have opening front & back doors.
The doors were heavy and the unnatural shape of the coffin caused them to swing drastically
Feast In Time of Plague
This Piece was themed off of the Covid - 19 era. It consisted of the coffin being covered by a cloth that was flown in Via Kinesys as it was a 20 meter cyc it was too heavy to lift as well as climb the ladder.
Groundplans
Two grid panels needed to be opened to allow the SR Truss to fly. To get the motors in the correct position we used Twin Leg Clutch chains. This took a team of 3 on the grid in harnesses. A handy trick was using Vectorworks to measure out each leg of the clutch chain prior to attaching the motor, this meant we were not far off the point during fit-up.