Assassins: Difference between revisions

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[[Category:Productions]]
[[Category:Productions]]


[[Category:Drama]]
[[Category:Musical Theatre]]
 
[[Category:Chandler]]




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! style="background-color:#000000; font-size: 120%;" align="center" colspan="2"| <span style="font-family: Tahoma "> <span style="color: #FFFFFF;">'''Summary'''</span>
! style="background-color:#000000; font-size: 120%;" align="center" colspan="2"| <span style="font-family: Tahoma "> <span style="color: #FFFFFF;">'''Summary'''</span>
|-
|-
|'''Dates''' <div style="text-align: centre;"> 23rd - 29th November 2019  </div>
|align="center" colspan="2"|'''Dates''' <div style="text-align: centre;"> 23rd - 29th November 2019  </div>
|-
|-
|'''Performance Course''' <div style="text-align: centre;"> Musical Theatre </div>
|align="center" colspan="2"|'''Performance Course''' <div style="text-align: centre;"> Musical Theatre </div>
|-
|-
|'''Location'''  <div style="text-align: centre;"> Chandler </div>
|align="center" colspan="2"|'''Location'''  <div style="text-align: centre;"> Chandler </div>
|-
|-
! style="background-color:#000000; font-size: 120%;" align="center" colspan="2"| <span style="font-family: Tahoma"> <span style="color: #FFFFFF;">'''Creative Team'''</span>
! style="background-color:#000000; font-size: 120%;" align="center" colspan="2"| <span style="font-family: Tahoma"> <span style="color: #FFFFFF;">'''Creative Team'''</span>
|-  
|-  
|'''Director''' <div style="text-align: centre;"> Emily Reutlinger </div>
|align="center" colspan="2"|'''Director''' <div style="text-align: centre;"> Emily Reutlinger </div>
|-  
|-  
|'''Musical Director''' <div style="text-align: centre;"> Sarah de Tute </div>
|align="center" colspan="2"|'''Musical Director''' <div style="text-align: centre;"> Sarah de Tute </div>
|-  
|-  
|'''Movement Director''' <div style="text-align: centre;"> Jim Manganello </div>
|align="center" colspan="2"|'''Movement Director''' <div style="text-align: centre;"> Jim Manganello </div>
|-  
|-  
|'''Designer''' <div style="text-align: centre;"> [[Erin Dougherty]]</div>
|align="center" colspan="2"|'''Designer''' <div style="text-align: centre;"> [[Erin Dougherty]]</div>
|-
|-
|'''Sound Designer''' <div style="text-align: centre;"> [[Neal Clark]] </div>
|align="center" colspan="2"|'''Sound Designer''' <div style="text-align: centre;"> [[Neal Clark]] </div>
|-
|-
|'''Lighting Designer'''  <div style="text-align: centre;">Benny Goodman</div>
|align="center" colspan="2"|'''Lighting Designer'''  <div style="text-align: centre;">Benny Goodman</div>
|-
|-
|'''Assistant Musical Director'''  <div style="text-align: centre;">Jacob Jones</div>
|align="center" colspan="2"|'''Assistant Musical Director'''  <div style="text-align: centre;">Jacob Jones</div>
|-  
|-  
|'''Voice and Dialect Coach''' <div style="text-align: centre;"> Hilary Jones </div>
|align="center" colspan="2"|'''Voice and Dialect Coach''' <div style="text-align: centre;"> Hilary Jones </div>
|-
|-
! style="background-color:#000000; font-size: 120%;" align="center" colspan="2"| <span style="font-family: Tahoma"> <span style="color: #FFFFFF;">'''Production Team'''</span>
! style="background-color:#000000; font-size: 120%;" align="center" colspan="2"| <span style="font-family: Tahoma"> <span style="color: #FFFFFF;">'''Production Team'''</span>
|-
|-
|'''Production Manager'''  <div style="text-align: centre;">Kevin Murray</div>
|align="center" colspan="2"|'''Production Manager'''  <div style="text-align: centre;">Kevin Murray</div>
|-
|-
|'''Stage Manager'''  <div style="text-align: centre;">[[Fiona Elliott]]</div>
|align="center" colspan="2"|'''Stage Manager'''  <div style="text-align: centre;">[[Fiona Elliott]]</div>
|-
|-
|'''Deputy Stage Manager'''  <div style="text-align: centre;">[[Andrew Swarbrigg]]</div>
|align="center" colspan="2"|'''Deputy Stage Manager'''  <div style="text-align: centre;">[[Andrew Swarbrigg]]</div>
|-
|-
|'''Assistant Stage Manager'''  <div style="text-align: centre;">[[Lea Meloee]]</div>
|align="center" colspan="2"|'''Assistant Stage Managers'''  <div style="text-align: centre;">[[Rhiannon Mitchell]] & [[Lea Meloee]]</div>
|-
|-
|'''Assistant Stage Manager'''  <div style="text-align: centre;">[[Rhiannon Mitchell]]</div>
|align="center" colspan="2"|'''Stage Supervisor'''  <div style="text-align: centre;">[[Cameron Kerr]]</div>
|-
|-
|'''Stage Supervisor'''  <div style="text-align: centre;">[[Cameron Kerr]]</div>
|align="center" colspan="2"|'''Deputy Stage Supervisor'''  <div style="text-align: centre;">[[Ewan Sullivan]]</div>
|-
|'''Deputy Stage Supervisor'''  <div style="text-align: centre;">[[Ewan Sullivan]]</div>
|-  
|-  
|'''Stage Technician''' <div style="text-align: centre;"> [[Joseph Liddle]] </div>
|align="center" colspan="2"|'''Stage Technicians''' <div style="text-align: centre;"> [[Joseph Liddle]] & [[Rory Gilmore]] </div>
|-
|-
|'''Stage Technician''' <div style="text-align: centre;"> [[Rory Gilmore]] </div>
|align="center" colspan="2"|'''Lighting Programmer and Operator ''' <div style="text-align: centre;">[[Louisa Craig]]</div>  
|-
|-
|'''Lighting Programmer and Operator '''  <div style="text-align: centre;">[[Louisa Craig]]</div>  
|align="center" colspan="2"|'''Production Electrician '''  <div style="text-align: centre;">Ross McCrone</div>
|-
|-
|'''Production Electrician '''  <div style="text-align: centre;">Ross McCrone</div>
|align="center" colspan="2"|'''Lighting Technicians '''  <div style="text-align: centre;">[[Nicholas Ruebenacker]], [[Mark Sillett]], [[Marjorlaine Demaude]] & [[Euan Dyer]]</div>
|-
|-
|'''Lighting Technician '''  <div style="text-align: centre;">[[Nicholas Ruebenacker]]</div>
|align="center" colspan="2"|'''Production Sound Engineer and AV Designer'''  <div style="text-align: centre;">[[Stuart Henderson]]</div>
|-
|-
|'''Lighting Technician '''  <div style="text-align: centre;">[[Mark Sillett]]</div>
|align="center" colspan="2"|'''Sound 1'''  <div style="text-align: centre;">[[Neal Clark]]</div>
|-
|-
|'''Lighting Technician '''  <div style="text-align: centre;">[[Marjorlaine Demaude]]</div>
|align="center" colspan="2"|'''Sound 3'''  <div style="text-align: centre;">[[India Kilbride]]</div>
|-
|-
|'''Lighting Technician '''  <div style="text-align: centre;">[[Euan Dyer]]</div>
|align="center" colspan="2"|'''Lead Propmaker'''  <div style="text-align: centre;">[[Nicky Baillie]]</div>
|-
|-
|'''Production Sound Engineer and AV Designer'''  <div style="text-align: centre;">[[Stuart Henderson]]</div>
|align="center" colspan="2"|'''Propmaker'''  <div style="text-align: centre;">[[Kieran McGill]]</div>
|-
|-
|'''Sound 1'''  <div style="text-align: centre;">[[Neal Clark]]</div>
|align="center" colspan="2"|'''Scenic Artists'''  <div style="text-align: centre;">[[Lisa Graef]], [[Finn Newton]], [[Becci Shepherd]], [[Rebekka Richter]], [[Lilli-Ella Rowe]], [[Dylan Ross]] & [[Kate Thwaites]]</div>
|-
|-
|'''Sound 3'''  <div style="text-align: centre;">[[India Kilbride]]</div>
|align="center" colspan="2"|'''Assistant Scenic Artist'''  <div style="text-align: centre;">[[Vincent Roe]]</div>
|-
|'''Lead Propmaker'''  <div style="text-align: centre;">[[Nicky Baillie]]</div>
|-
|'''Propmaker'''  <div style="text-align: centre;">[[Kieran McGill]]</div>
|-
|'''Scenic Artist'''  <div style="text-align: centre;">[[Lisa Graef]]</div>
|-
|'''Scenic Artist'''  <div style="text-align: centre;">[[Finn Newton]]</div>
|-
|'''Scenic Artist'''  <div style="text-align: centre;">[[Becci Shepherd]]</div>
|-
|'''Scenic Artist'''  <div style="text-align: centre;">[[Lilli-Ella Rowe]]</div>
|-
|'''Scenic Artist'''  <div style="text-align: centre;">[[Rebekka Richter]]</div>
|-
|'''Scenic Artist'''  <div style="text-align: centre;">[[Dylan Ross]]</div>
|-
|'''Scenic Artist'''  <div style="text-align: centre;">[[Kate Thwaites]]</div>
|-
|'''Assistant Scenic Artist'''  <div style="text-align: centre;">[[Vincent Roe]]</div>
|-
|-
|}
|}


== Summary ==
== Summary ==
Stephen Sondheim & John Weidman’s  theatrical debate about the motivations driving the characters who’ve attempted to assassinate the President of the USA.
== Company ==
'''The Proprietor''' - Jack Heydon <br>
'''The Balladeer''' - Georgie Buckland <br>
<br>
'''Sarah Jane Moore''' - Jessica Donnelly <br>
'''Charles J. Guiteau''' - Alistair Fitton <br>
'''Lynette 'Squeaky' Fromme''' - Bailey Grey <br>
'''John Hinkley''' - Robin MacKenzie <br>
'''John Wilkes Booth''' - Jonathan O'Neill <br>
'''Leon Czolgosz''' - Isaac Savage <br>
'''Sam Byck''' - Lydia Stevenson <br>
'''Giuseppe Zangara''' - Joy Tannen <br>
'''Lee Harvey Oswald''' - Lewis Winter Petrie <br>
<br>
'''Ensemble''' - MaKenna DeMers <br>
'''Ensemble''' - Conor Downey Quinn <br>
'''Ensemble''' - Dylan Evans <br>
'''Ensemble''' - Michaela Fenech <br>
'''Ensemble''' - Julia Murray <br>
'''Ensemble''' - Melinda Orengo <br>
'''Ensemble''' - Elizabeth Coverdale <br>
== Lighting ==
== Sound ==
===The Team===
Sound Designer/Sound no.1 - [[Neal Clark]]
Production Sound Engineer - [[Stuart Henderson]]
Sound No.3 - [[India Kilbride]]
===Networking===
From the very start of the planning period, it was decided to implement a fully networked audio system for this show using the Dante Audio networking protocol. This was possible due to the equipment available in the chandler being Dante enabled. Due to the complexities of the show, it was essential that every member of the sound team had an understanding of what was getting plugged in where and how the power on procedure would be implemented.
<pdf>Assassins_-_Network_Diagram.pdf</pdf>
===The Equipment===
For Assassins, we used a Yamaha QL5 digital mixing console with a RIO 32/16 stage box. During the planing stage, we made the decision to use the Shure Axient Rack, which consists of 5 AD4Q receivers, Antenna Distro, and 3 Battery Chargers. The decision to use this equipment was an easy one due to the Shure Axient equipment being Dante enabled which meant we were able to add the equipment into the existing network with ease.
We used the Chandler MacBook Pro to run Qlab 4. This was also added into our network via DVS (Dante Virtual Soundcard).
===OSC===
Due to the complexity of the Cueing of the sound effects along with Lighting effects. The decision was made between the Sound designer and the DSM to implement an idea which would make it much easier to ensure effects were cued at the same time. We added OSC (Open Sound Control) into the system which was able to solve the issue. Open Sound Control (OSC) is a protocol for networking sound synthesizers, computers, and other multimedia devices for purposes such as musical performance or show control. Having OSC as part of the system allowed us to have flexibility but the DSM to have an enhanced organization of their cuing which assisted the production to be as smooth running as possible. The below link directs you to a page which teaches how to use different show control systems
https://paperclip.rcs.ac.uk/index.php/Show_Control_Systems
== Technical Stage Department ==
For this show, the Technical Stage Department consisted of Cameron Kerr as Stage Supervisor, Ewan Sullivan as Deputy Stage Supervisor and Joseph Liddle and Rory Gilmore as Stage Crew.  I started the production process by making the stage plan from the designer on vectorworks. 
'''Noose'''
One of the main challenges in the production was to produce a Noose swing (not a functioning one), for a cast member to swing on, hang on and climb around.  This had to be dropped in and the height of it changed 3 times throughout the movement piece.  This would be easy in a venue that had the capabilities of Automation etc but in the Chandler, we had to use human manual movement.  I used thin Dyneema to make a prusick around the thick 26mm rope which made an anchor point of which we could attach to the karabiner on the catwalks.  3 of these prusicks made moving the rope between 3 different deads very simple.
== Stage Management ==
The stage management department consisted of Stage Manager [[Fiona Elliott]], Deputy Stage Manager [[Andrew Swarbrigg]] and Assistant Stage Managers [[Rhiannon Mitchell]] and [[Lea Meloee]].
'''USD templates:''' <br>
1$ note x4 - [[File:1$_x4_.pdf]] <br>
5$ note x4 - [[File:5$_x4_.pdf]] <br>
10$ note x4 - [[File:10$_x4_.pdf]] <br>
20$ note x4 - [[File:20$_x4_.pdf]] <br>
50$ note x4 - [[File:50$_x4_.pdf]]

Latest revision as of 11:58, 29 January 2020



Assassins
Summary
Dates
23rd - 29th November 2019
Performance Course
Musical Theatre
Location
Chandler
Creative Team
Director
Emily Reutlinger
Musical Director
Sarah de Tute
Movement Director
Jim Manganello
Designer
Sound Designer
Lighting Designer
Benny Goodman
Assistant Musical Director
Jacob Jones
Voice and Dialect Coach
Hilary Jones
Production Team
Production Manager
Kevin Murray
Stage Manager
Deputy Stage Manager
Assistant Stage Managers
Stage Supervisor
Deputy Stage Supervisor
Stage Technicians
Lighting Programmer and Operator
Production Electrician
Ross McCrone
Lighting Technicians
Production Sound Engineer and AV Designer
Sound 1
Sound 3
Lead Propmaker
Propmaker
Scenic Artists
Assistant Scenic Artist

Summary

Stephen Sondheim & John Weidman’s theatrical debate about the motivations driving the characters who’ve attempted to assassinate the President of the USA.

Company

The Proprietor - Jack Heydon
The Balladeer - Georgie Buckland

Sarah Jane Moore - Jessica Donnelly
Charles J. Guiteau - Alistair Fitton
Lynette 'Squeaky' Fromme - Bailey Grey
John Hinkley - Robin MacKenzie
John Wilkes Booth - Jonathan O'Neill
Leon Czolgosz - Isaac Savage
Sam Byck - Lydia Stevenson
Giuseppe Zangara - Joy Tannen
Lee Harvey Oswald - Lewis Winter Petrie

Ensemble - MaKenna DeMers
Ensemble - Conor Downey Quinn
Ensemble - Dylan Evans
Ensemble - Michaela Fenech
Ensemble - Julia Murray
Ensemble - Melinda Orengo
Ensemble - Elizabeth Coverdale

Lighting

Sound

The Team

Sound Designer/Sound no.1 - Neal Clark

Production Sound Engineer - Stuart Henderson

Sound No.3 - India Kilbride

Networking

From the very start of the planning period, it was decided to implement a fully networked audio system for this show using the Dante Audio networking protocol. This was possible due to the equipment available in the chandler being Dante enabled. Due to the complexities of the show, it was essential that every member of the sound team had an understanding of what was getting plugged in where and how the power on procedure would be implemented.

The Equipment

For Assassins, we used a Yamaha QL5 digital mixing console with a RIO 32/16 stage box. During the planing stage, we made the decision to use the Shure Axient Rack, which consists of 5 AD4Q receivers, Antenna Distro, and 3 Battery Chargers. The decision to use this equipment was an easy one due to the Shure Axient equipment being Dante enabled which meant we were able to add the equipment into the existing network with ease.

We used the Chandler MacBook Pro to run Qlab 4. This was also added into our network via DVS (Dante Virtual Soundcard).

OSC

Due to the complexity of the Cueing of the sound effects along with Lighting effects. The decision was made between the Sound designer and the DSM to implement an idea which would make it much easier to ensure effects were cued at the same time. We added OSC (Open Sound Control) into the system which was able to solve the issue. Open Sound Control (OSC) is a protocol for networking sound synthesizers, computers, and other multimedia devices for purposes such as musical performance or show control. Having OSC as part of the system allowed us to have flexibility but the DSM to have an enhanced organization of their cuing which assisted the production to be as smooth running as possible. The below link directs you to a page which teaches how to use different show control systems

https://paperclip.rcs.ac.uk/index.php/Show_Control_Systems

Technical Stage Department

For this show, the Technical Stage Department consisted of Cameron Kerr as Stage Supervisor, Ewan Sullivan as Deputy Stage Supervisor and Joseph Liddle and Rory Gilmore as Stage Crew. I started the production process by making the stage plan from the designer on vectorworks.

Noose One of the main challenges in the production was to produce a Noose swing (not a functioning one), for a cast member to swing on, hang on and climb around. This had to be dropped in and the height of it changed 3 times throughout the movement piece. This would be easy in a venue that had the capabilities of Automation etc but in the Chandler, we had to use human manual movement. I used thin Dyneema to make a prusick around the thick 26mm rope which made an anchor point of which we could attach to the karabiner on the catwalks. 3 of these prusicks made moving the rope between 3 different deads very simple.

Stage Management

The stage management department consisted of Stage Manager Fiona Elliott, Deputy Stage Manager Andrew Swarbrigg and Assistant Stage Managers Rhiannon Mitchell and Lea Meloee.

USD templates:
1$ note x4 - File:1$ x4 .pdf
5$ note x4 - File:5$ x4 .pdf
10$ note x4 - File:10$ x4 .pdf
20$ note x4 - File:20$ x4 .pdf
50$ note x4 - File:50$ x4 .pdf

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