A Midsummer Night's Dream 17: Difference between revisions

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<div style="border:2px solid #00008B; background:#FFFFF0; width:99%; padding:3px">
<div style="border:2px solid #00008B; background:#FFFFF0; width:99%; padding:3px">


{|style=" border: 4px solid #FFFFF0; background-color: #ccebff; float: right; clear: right; margin: 2px; width: 19em;"
{|style=" border:2px solid #00008B; background-color: #ffffff; float: right; clear: right; margin: 2px; width: 19em;"
|-
|-
! style="background-color:##99d6ff; font-size: 120%;" align="center" colspan="2"| <span style="font-family: Felix Titling"> <span style="color: #000080;">'''A Midsummer Night's Dream'''</span>
! style="background-color:#fffbe6; font-size: 120%;" align="center" colspan="2"| <span style="font-family: Bodoni MT"> <span style="color: #00008;">'''A Midsummer Night's Dream'''</span>
|-
|-
! style="background-color:#99d6ff; font-size: 120%;" align="center" colspan="2"| <span style="font-family: Felix Titling"> <span style="color: #000080;">'''Summary'''</span>
! style="background-color:#fffbe6; font-size: 120%;" align="center" colspan="2"| <span style="font-family: Bodoni MT"> <span style="color: #00008;">'''Summary'''</span>
|-
|-
|'''Dates''' <div style="text-align: centre;"> 22nd - 24th March 2017 </div>
|'''Dates''' <div style="text-align: centre;"> 22nd - 24th March 2017 </div>
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|'''Location'''  <div style="text-align: centre;"> Chandler Studio Theatre </div>
|'''Location'''  <div style="text-align: centre;"> Chandler Studio Theatre </div>
|-
|-
! style="background-color:#99d6ff; font-size: 120%;" align="center" colspan="2"| <span style="font-family: Felix Titling"> <span style="color: ##000080;">'''Creative Team'''</span>
! style="background-color:#fffbe6; font-size: 120%;" align="center" colspan="2"| <span style="font-family: Bodoni MT"> <span style="color: #000080;">'''Creative Team'''</span>
|-  
|-  
|'''Director''' <div style="text-align: centre;"> Hugh Hodgert </div>
|'''Director''' <div style="text-align: centre;"> Hugh Hodgert </div>
|-  
|-  
|'''Designer''' <div style="text-align: centre;"> Someone </div>
|'''Designer''' <div style="text-align: centre;"> [[Carys Hobbs-Sargeant]] </div>
|-
|-
|'''Sound Designer''' <div style="text-align: centre;"> Someone </div>
|'''Sound Designer''' <div style="text-align: centre;"> [[Ross Brodie/Andrew Johnston]] </div>
|-
|-
|'''Lighting Designer'''  <div style="text-align: centre;"> Someone </div>
|'''Lighting Designer'''  <div style="text-align: centre;"> [[Simon Hayes]] </div>
|-
|-
! style="background-color:#99d6ff; font-size: 120%;" align="center" colspan="2"| <span style="font-family: Felix Titling"> <span style="color: ##000080;">'''Production Team'''</span>
! style="background-color:#fffbe6; font-size: 120%;" align="center" colspan="2"| <span style="font-family: Bodoni MT"> <span style="color: ##000080;">'''Production Team'''</span>
|-
|-
|'''Stage Manager'''  <div style="text-align: centre;"> [[Christopher Brown]] </div>
|'''Stage Manager'''  <div style="text-align: centre;"> [[Christopher Brown]] </div>
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|'''Deputy Stage Manager'''  <div style="text-align: centre;"> [[Miranda Stewart]] </div>  
|'''Deputy Stage Manager'''  <div style="text-align: centre;"> [[Miranda Stewart]] </div>  
|-
|-
|'''Assistant Stage Manager'''  <div style="text-align: centre;"> [[Fraser Cherington]] </div>
|'''Assistant Stage Manager'''  <div style="text-align: centre;"> [[Fraser Cherrington]] </div>
|-
|-
|'''Assistant Stage Manager'''  <div style="text-align: centre;"> [[James Hamilton]] </div>
|'''Assistant Stage Manager'''  <div style="text-align: centre;"> [[James Hamilton]] </div>
|-
|-
|'''Technical Stage Manager'''  <div style="text-align: centre;"> Someone </div>
|'''
|-
|-
|'''Deputy Technical Stage Manager''' <div style="text-align: centre;"> Someone </div>
|'''
|
|-
|-
|'''Production Electrician''' <div style="text-align: centre;"> Someone </div>
|''' Production Electrician''' <div style="text-align: centre;"> [[Callum Farrell]] </div>
|-
|-
|'''Deputy Production Electrician''' <div style="text-align: centre;"> Someone </div>
|'''Lighting Programmer'''  <div style="text-align: centre;"> [[Dylan Hodgson]] </div>
|-
|'''Lighting Programmer'''  <div style="text-align: centre;"> Someone </div>
|-
|-
|}
|}
<span style="font-family: Felix Titling"> <font size="9" color="#000080"> '''A Midsummer Night's Dream'''</font> </span>
<span style="font-family: Bodoni MT"> <font size="9" color="#000080"> '''A Midsummer Night's Dream'''</font> </span>
 
 
== <span style="font-family: Felix Titling"> <font color="#0000e6">'''The Production Team'''</font> </span> ==
 
Insert cute team photo here
 
 
== <span style="font-family: Felix Titling"> <font color="#0000e6">'''Design'''</font> </span> ==
 
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== <span style="font-family: Felix Titling"> <font color="#0000e6">'''Stage Management'''</font> </span> ==
 
lalalala
 
 
== <span style="font-family: Felix Titling"> <font color="#0000e6">'''Technical Stage Management'''</font> </span> ==
 
lalalala
 
 
== <span style="font-family: Felix Titling"> <font color="#0000e6">'''Lighting'''</font> </span> ==
 
lalalala
 
 
== <span style="font-family: Felix Titling"> <font color="#0000e6">'''Sound'''</font> </span> ==


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'' 'Straight from the dark corners of his imagination, but also rooted in both Greek mythology and 16th century English court and country, this most loved of Shakespeare’s plays is both a delightful comedy and a sombre look at some of the darker corners of the human psyche.


''A miracle of multi-faceted storytelling, it explores the self in the world and the inner world of the self, exposing the need for empathy, balance and harmony in our relationships with each other and with nature.


''A play for our uncertain and unpredictable times if ever there was one.


''MA Classical and Contemporary Text in partnership with Bard in the Botanics.' ''




== <span style="font-family: Bodoni MT"> <font color="#0000e6">'''The Production Team'''</font> </span> ==
The Production team was formed of first year students, third year students and external practitioners.


[[File:17884273_1518796434811881_8693875764320345524_n.jpg|400px]]


Left to Right- Callum Farrell (production electrician), Dylan Hodgson (LX Operator), James Hamilton (Assistant Stage Manager), Chris Brown (Stage Manager), Miranda Stewart (Deputy Stage Manager), Fraser Cherrington (Assistant Stage Manager), Andrew Johnson (Sound Operator/designer) and Ross Brodie (Sound Operator/designer)


== <span style="font-family: Bodoni MT"> <font color="#0000e6">'''Design'''</font> </span> ==








== <span style="font-family: Bodoni MT"> <font color="#0000e6">'''Stage Management'''</font> </span> ==








== <span style="font-family: Bodoni MT"> <font color="#0000e6">'''Technical Stage Management'''</font> </span> ==


All Technical Stage management activities were taken care of mainly by the Stage management team and the Production Manager.




== <span style="font-family: Bodoni MT"> <font color="#0000e6">'''Lighting'''</font> </span> ==








== <span style="font-family: Bodoni MT"> <font color="#0000e6">'''Sound'''</font> </span> ==


The sound for this production of 'A Mid-Summer Nights Dream' was carried over from the production of 'Henry IV' the week before. Only needing to use six inputs of the Chandler Studio's LS9, two as a left and right input for a Mac running QLab and the other four as possible overheads to add effects like reverb to add to the atmosphere. We used seven outputs for both shows, having 3 x left mid-tops, 3 x right mid-tops and two subs linked together. We had this many because of the seating arraignment in the venue, seating banks on three sides. This amount of speakers allowed us to have a stereo L+R on each bank, having the subs on the middle catwalk of the venue for the best combination of the speakers being hidden with the spread they would provide from a location that is equal distant to each seating bank.


xox
The show, for a time, was run off a behringer X1632 analogue desk but was later switched out for the chandler's house desk, a Yamaha LS9

Latest revision as of 13:07, 7 June 2017


A Midsummer Night's Dream
Summary
Dates
22nd - 24th March 2017
Performance Course
MA CCT's
Location
Chandler Studio Theatre
Creative Team
Director
Hugh Hodgert
Designer
Sound Designer
Lighting Designer
Production Team
Stage Manager
Deputy Stage Manager
Assistant Stage Manager
Assistant Stage Manager
Production Electrician
Lighting Programmer

A Midsummer Night's Dream

'Straight from the dark corners of his imagination, but also rooted in both Greek mythology and 16th century English court and country, this most loved of Shakespeare’s plays is both a delightful comedy and a sombre look at some of the darker corners of the human psyche.

A miracle of multi-faceted storytelling, it explores the self in the world and the inner world of the self, exposing the need for empathy, balance and harmony in our relationships with each other and with nature.

A play for our uncertain and unpredictable times if ever there was one.

MA Classical and Contemporary Text in partnership with Bard in the Botanics.'


The Production Team

The Production team was formed of first year students, third year students and external practitioners.

Left to Right- Callum Farrell (production electrician), Dylan Hodgson (LX Operator), James Hamilton (Assistant Stage Manager), Chris Brown (Stage Manager), Miranda Stewart (Deputy Stage Manager), Fraser Cherrington (Assistant Stage Manager), Andrew Johnson (Sound Operator/designer) and Ross Brodie (Sound Operator/designer)

Design

Stage Management

Technical Stage Management

All Technical Stage management activities were taken care of mainly by the Stage management team and the Production Manager.


Lighting

Sound

The sound for this production of 'A Mid-Summer Nights Dream' was carried over from the production of 'Henry IV' the week before. Only needing to use six inputs of the Chandler Studio's LS9, two as a left and right input for a Mac running QLab and the other four as possible overheads to add effects like reverb to add to the atmosphere. We used seven outputs for both shows, having 3 x left mid-tops, 3 x right mid-tops and two subs linked together. We had this many because of the seating arraignment in the venue, seating banks on three sides. This amount of speakers allowed us to have a stereo L+R on each bank, having the subs on the middle catwalk of the venue for the best combination of the speakers being hidden with the spread they would provide from a location that is equal distant to each seating bank.

The show, for a time, was run off a behringer X1632 analogue desk but was later switched out for the chandler's house desk, a Yamaha LS9

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