Our House: Difference between revisions
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*'''Sound 2''' - [[Sean Quinn]] | *'''Sound 2''' - [[Sean Quinn]] | ||
*'''Sound 3''' - [[Calum Paterson]] | |||
*'''Stage Crew''' - [[Ryan Davy]], [[Jamie Ford]], [[Matt Turnbull]] | |||
*'''Wardrobe Supervisor''' - Cate Mackie | *'''Wardrobe Supervisor''' - Cate Mackie | ||
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[[File:OH_Cast_on_Platform_in_Rehearsals_RA.pdf]] | [[File:OH_Cast_on_Platform_in_Rehearsals_RA.pdf]] | ||
Attached below is the complete props list including sourcing information. | |||
[[File:Completed Props List.pdf]] | |||
==Technical Stage Management== | ==Technical Stage Management== | ||
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====Clamps==== | ====Clamps==== | ||
90° Scaff Clamp | 90° Scaff Clamp x31 | ||
Swivel Scaff Clamp | |||
Split Swivel Scaff Clamps | Swivel Scaff Clamp x75 | ||
Split Doughty Clamps | |||
I-Beam Doughty Clamps | Split Swivel Scaff Clamps x15 (30 halves) | ||
Wall Hinges | |||
Split Doughty Clamps x1 (2 halves) | |||
I-Beam Doughty Clamps x6 | |||
Wall Hinges x12 | |||
====Feet==== | ====Feet==== | ||
Square Feet | Square Feet x24 | ||
Round Feet | |||
Split Round Feet | Round Feet x10 | ||
Split Round Feet x2 | |||
====Masking==== | ====Masking==== | ||
Chandler Soft Blacks (4m x 6m) | Chandler Soft Blacks (4m x 6m) x3 | ||
Hard Black Book Flat (6m) | |||
Hard Black Book Flat (5.5m) | Hard Black Book Flat (6m) x2 | ||
French Braces | |||
Hard Black Book Flat (5.5m) x2 | |||
French Braces x4 | |||
==Electrics== | |||
===The "M"=== | |||
A centre piece of the set was the large madness M. The designer had originally desired the M to be draped in Festoon, but it was decided that adding a layover piece to the structure would aid in both speed and aesthetic. | |||
The M was wired with 3 separate parallel circuits, so as to allow the M to chase between it's three different colours. The parallel wiring also allowed redundancy in the event of a lamp failure. | |||
Latest revision as of 09:14, 5 October 2015
Show Dates
Preview 29th November 2014
2nd of December - 5th of December 2014
Creative Team
- Director - Joe Douglas
- Designer - Suzie Inglis
- Choreographer - Chris Wilson
- Musical Director - David Highman
- Assistant Musical Director - Tamara Saringer
- LX Designer - Davy Cunningham
- Sound Designer - Laura Dougan
Production Team
- Production Manager - Stephen Roe
- Stage Manager - Katy Nicolson
- Deputy Stage Manager - Siobhán Scott
- Technical Stage Manager - Ian Smyth
- Deputy Technical Stage Manager - Daniel Thompson
- Assistant Stage Managers - Bradley Jones, Rory Boyd
- Chief Production Electrician - Mary Crook
- LX Programmer - Robbie Butler
- Electricians - Ross Pringle, Neil Smith
- Sound 1 - Fraser Milroy
- Sound 2 - Sean Quinn
- Sound 3 - Calum Paterson
- Stage Crew - Ryan Davy, Jamie Ford, Matt Turnbull
- Wardrobe Supervisor - Cate Mackie
- Wardrobe Deputy - Meg Davies
- Wardrobe Assistant - Barbara Grant
- Venue Technician - Gary Laing
Stage Management
To help us put the scaffolding back up in the Chandler I made a note of the markings on the scaffolding bars and the position of the steel deck legs.
File:Scaffolding Tower Markings.docx
Lots of drinks were used in the show. Below is a document outlining how the drinks were made.
File:Drinks Mixing ourhouse.pdf
Attached below is a risk assessment for a cast performing on a scaffolding platform structure in rehearsals.
File:OH Cast on Platform in Rehearsals RA.pdf
Attached below is the complete props list including sourcing information.
Technical Stage Management
Kit List
Clamps
90° Scaff Clamp x31
Swivel Scaff Clamp x75
Split Swivel Scaff Clamps x15 (30 halves)
Split Doughty Clamps x1 (2 halves)
I-Beam Doughty Clamps x6
Wall Hinges x12
Feet
Square Feet x24
Round Feet x10
Split Round Feet x2
Masking
Chandler Soft Blacks (4m x 6m) x3
Hard Black Book Flat (6m) x2
Hard Black Book Flat (5.5m) x2
French Braces x4
Electrics
The "M"
A centre piece of the set was the large madness M. The designer had originally desired the M to be draped in Festoon, but it was decided that adding a layover piece to the structure would aid in both speed and aesthetic.
The M was wired with 3 separate parallel circuits, so as to allow the M to chase between it's three different colours. The parallel wiring also allowed redundancy in the event of a lamp failure.