Dying For It: Difference between revisions

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[[Category:Drama]]
[[Category:Drama]]
[[Category:New Athenaeum]]
=Production photographs=
=Production photographs=
[http://www.flickr.com/photos/xtinem/sets/72157618867152306/ Flickr]set by [[Christine Murphy]]
[http://www.flickr.com/photos/xtinem/sets/72157618867152306/ Flickr]set by [[Christine Murphy]]
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Helen Allingham – Design
[[Helen Allingham]] – Design
 
[[Laura McNiven]] – LX Design
 
[[Jennifer Walker]] – Sound Design
 
 
[[Jane Gordon]] – SM
 
[[Francesca Branch]] – DSM
 
[[Laura Jarvis]] – ASM
 
[[Emily Lennox]] – ASM
 
[[Barry McDonald]] – ASM


Laura McNiven LX Design
[[David MacMorris]] ASM


Jennifer Walker – Sound Design
[[Craig Ralph]] - ASM




Jane Gordon – SM
[[Louise Marr]] - TSM


Francesca Branch DSM
[[Martin Aitken]] Crew


Laura Jarvis ASM
[[Scott Bremner]] Crew


Emily Lennox ASM
[[Madeleine Hillmann]] Crew


Barry MacDonald ASM
[[Lauren McKay]] Crew


David McMorris ASM
[[Jonny Reed]] Crew


Craig Ralph - ASM


[[Kevin Cullen]] - PLX


Louise Marr - TSM
[[James Clelland]] – LX Crew


Martin Aitken – Crew
[[Jamie Fallen]] LX Crew


Scott Bremner – Crew
[[Catherine Lewis]] LX Crew


Madeleine Hillman – Crew
=Set=
This was a challenging set to work on:  it presented many technical difficulties and challenges for all departments.


Laura McKay – Crew
'''Set Elements'''


Jonny Reed – Crew
*The set was built on 4 levels: -3000mm - Below Stage, 0mm - Stage, +3000mm - 2nd Story Of Stage, +8000mm - Suspended Platform


*Each of these levels were linked by a staircase: a L-shaped stair linked below stage and stage, a spiral stair linked the 1st and 2nd story of the stage and a straight, custom built, steel framed stair at 53 degrees linked the 2nd story to the suspended platform


Kevin Cullen - PLX
*Access to below stage was given by a permanently open L-shaped hole 1800mm in length (of both sides)


James Clelland – LX Crew
*3 working doors which were slammed regularly and had to hold while shoes etc. were thrown at them


Jamie Fallen – LX Crew
*Live sound effects of running water were used on stage


Cathrine Lewis – LX Crew
*A working window through which many cast entered and exited


*The first 20mins of the play were done in complete blackout (this included the Fire Exit signs and the un-maintained lights)


=Set=
*The whole stage was covered in close to 100 lit real flame candles for 20mins of the 2nd half during a crowded party scene and which were extinguished in 30secs during a very quick scene change
This was a challenging set to work on:  it presented many technical difficulties and challanges for all departments.


The set was built on 4 levels: -3000mm - Below Stage, 0mm - Stage, +3000mm - 2nd Story Of Stage, +8000mm - Suspended Platform
*2 actors regularly climbed and descended the back stairs linking the +8000mm suspended platform and the 2nd story of the stage
Each of these levels were linked by a staircase.


*A live thud sound from the "basement" (as if someone had hit their head very hard)


=Technical Solutions=
=Technical Solutions=
'''1. "Cellar Stairs"'''
'''2. +3000mm Platform - 2nd Story of Stage'''
'''3. +8000mm Suspended Platform'''
'''4. "Attic Stairs"'''
'''5. Curved "Main Stairs"'''
'''6. Live Water Effects'''
'''7. Complete Blackout'''
'''8. Thud Mechanism'''

Latest revision as of 18:32, 11 March 2011


Production photographs

Flickrset by Christine Murphy

Flickr set RSAMD

Cast

Production Team

Adrian Osmond – Director


Lynfryn MacKenzie – Production Manager


Helen Allingham – Design

Laura McNiven – LX Design

Jennifer Walker – Sound Design


Jane Gordon – SM

Francesca Branch – DSM

Laura Jarvis – ASM

Emily Lennox – ASM

Barry McDonald – ASM

David MacMorris – ASM

Craig Ralph - ASM


Louise Marr - TSM

Martin Aitken – Crew

Scott Bremner – Crew

Madeleine Hillmann – Crew

Lauren McKay – Crew

Jonny Reed – Crew


Kevin Cullen - PLX

James Clelland – LX Crew

Jamie Fallen – LX Crew

Catherine Lewis – LX Crew

Set

This was a challenging set to work on: it presented many technical difficulties and challenges for all departments.

Set Elements

  • The set was built on 4 levels: -3000mm - Below Stage, 0mm - Stage, +3000mm - 2nd Story Of Stage, +8000mm - Suspended Platform
  • Each of these levels were linked by a staircase: a L-shaped stair linked below stage and stage, a spiral stair linked the 1st and 2nd story of the stage and a straight, custom built, steel framed stair at 53 degrees linked the 2nd story to the suspended platform
  • Access to below stage was given by a permanently open L-shaped hole 1800mm in length (of both sides)
  • 3 working doors which were slammed regularly and had to hold while shoes etc. were thrown at them
  • Live sound effects of running water were used on stage
  • A working window through which many cast entered and exited
  • The first 20mins of the play were done in complete blackout (this included the Fire Exit signs and the un-maintained lights)
  • The whole stage was covered in close to 100 lit real flame candles for 20mins of the 2nd half during a crowded party scene and which were extinguished in 30secs during a very quick scene change
  • 2 actors regularly climbed and descended the back stairs linking the +8000mm suspended platform and the 2nd story of the stage
  • A live thud sound from the "basement" (as if someone had hit their head very hard)

Technical Solutions

1. "Cellar Stairs"

2. +3000mm Platform - 2nd Story of Stage

3. +8000mm Suspended Platform

4. "Attic Stairs"

5. Curved "Main Stairs"

6. Live Water Effects

7. Complete Blackout

8. Thud Mechanism