Into the New 2014: Difference between revisions
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'''Sound''' | |||
Kit allocations and list. | |||
<pdf>ITTN - ALLOCATION.pdf</pdf> | |||
High SPL risk assessment. | |||
<pdf>noise rA.pdf</pdf> | |||
'''Heartbeat microphone.''' | |||
For one of the durational pieces a live heartbeat was required, | |||
having tried a contact microphone to no avail I chose to | |||
modify a stethoscope and try that instead. | |||
I cut the Stethoscope just below the y joint where the tube splits into two sections. | |||
I then inserted a DPA lapel mic into the tube, and then into a UR1 Pack. | |||
To try and minimize movement noise i wrapped foam around the tube, where the mic sat. | |||
Body tape was used to attach the scope to the chest, and then elastic straps passed | |||
round the body for extra pressure. | |||
Due to a large amount of LF feedback, i had to apply a heavy Eq to the aux send, and | |||
also pitch shifted the signal up 4 semitones which made the sound much clearer and | |||
more recognizable as a heart. | |||
Here is a short clip from the recording of the show, showing the microphones effectiveness | |||
https://www.dropbox.com/sh/rurv2wsf1jf36kr/R6cGQ38IUn | |||
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Props List: [[File:In_another_Life._PROPS_LIST.pdf]] | Props List: [[File:In_another_Life._PROPS_LIST.pdf]] | ||
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'''Let's Not Talk About The Weather''' | |||
Venue- Playroom | |||
LX/Sound Cue Sheet: [[:File:clip Playroom - Cue Sheet - Shannon.pdf]] | |||
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'''Through Your Eyes''' | |||
Venue- Arch 3 | |||
LX/Sound Cue Sheet: [[:File:clip Arch 3- Cue Sheet - Shannon.pdf]] | |||
Latest revision as of 08:02, 3 February 2014
| Into the New 2014 | |
|---|---|
| |
| Creative | |
| Stage Manager | Ashley Kerray |
| Technical Manager | Oliver Gorman |
| Head of Sound | Sam Cunningham |
| Technician | Ross Jardine |
| Technician | Laura Dougan |
| Technician | Shannon Howard |
| Technician | Robert Gear |
| Stats | |
| Venue | The Arches |
Sound
Kit allocations and list.
High SPL risk assessment.
Heartbeat microphone. For one of the durational pieces a live heartbeat was required, having tried a contact microphone to no avail I chose to modify a stethoscope and try that instead.
I cut the Stethoscope just below the y joint where the tube splits into two sections. I then inserted a DPA lapel mic into the tube, and then into a UR1 Pack.
To try and minimize movement noise i wrapped foam around the tube, where the mic sat. Body tape was used to attach the scope to the chest, and then elastic straps passed round the body for extra pressure.
Due to a large amount of LF feedback, i had to apply a heavy Eq to the aux send, and also pitch shifted the signal up 4 semitones which made the sound much clearer and more recognizable as a heart.
Here is a short clip from the recording of the show, showing the microphones effectiveness https://www.dropbox.com/sh/rurv2wsf1jf36kr/R6cGQ38IUn
In Another Life, I'm An Elf
Venue- Studio
Lighting Plan: File:Inanotherlife LX Plan.pdf
LX Cue Sheet: File:In another Life. LX CUE SHEET.pdf
QLab Cue Sheet: File:In another Life. QLAB CUE SHEET.pdf
Props List: File:In another Life. PROPS LIST.pdf
Let's Not Talk About The Weather
Venue- Playroom
LX/Sound Cue Sheet: File:clip Playroom - Cue Sheet - Shannon.pdf
Through Your Eyes
Venue- Arch 3
LX/Sound Cue Sheet: File:clip Arch 3- Cue Sheet - Shannon.pdf